SOUND ON SOUND
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Matt Johnson has emerged as one of the most talented and prolific keyboard players of the last 20 years, mostly as part of the legendary Jamiroquai.
LEWITT Audio chat to Hugh Robjohns about their approach to developing, innovating and engineering their range of home, studio and live microphones.
Apogee’s long‑serving desktop audio interface gets a thorough makeover.
Back by popular demand: Korg have miniaturised the ARP 2600 but kept the spirit and sound of the original very much alive.
A new collection adds expressive solo instruments and voices to the company’s orchestral range.
Rating: ***** 5/5 Stars.
Beyerdynamic’s new studio mics are as classy as they are versatile.
The IR‑200 is a compact, DSP‑powered pedal that pairs an amp simulator with a speaker cabinet impulse‑response engine.
This modern take on the Lexicon 224 may be a pedal, but it has applications that go way beyond guitar.
Poltergate is a combination tool for use with drums or other percussive sounds and has both creative and problem‑solving capabilities...
One of the best Uni‑Vibe clones on the market just got an update.
Fracture Sounds elevate the humble cardboard box to versatile percussion instrument.
Hungarian company Gainlab impressed us with their Dictator compressor, so we were looking forward to putting their EQ through its paces.
Rating: ***** 5/5 Stars. This library/virtual instrument focuses very much on analogue synth‑based sound sources.
Hifiman are driving the development of headphone technology at an impressive pace!
IK Multimedia’s Fame Studio Reverb emulates the sound of the legendary FAME studio in Muscle Shoals, Alabama.
Rating: **** 4/5 Stars. Borsta's audio engine is designed to simulate natural‑sounding brush playing and it offers 18 different percussion instrument sounds.
Nektar keep doing what they do best: making solid, capable, no‑nonsense MIDI controllers.
PreSonus’s Revelator io24 is packed with useful features for podcasters, streamers and even common‑or‑garden recording musicians.