SOUND ON SOUND
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The Mellotron is not lacking in software emulations, so what does EZkeys Mellotoon have to offer?
Production music is rarely glamorous, but it can be very lucrative. In the first of a major new series, we explain how to get your foot in the door.
Getting the tonality of your mix right is one of the most challenging aspects of home mastering. Thankfully, ‘profiling EQ’ plug-ins can help.
The market for mini mixers may be crowded, but Kinsman’s entry offers an excellent balance between affordability and ruggedness.
Mix engineer David Wrench has the rare ability to bring discipline to experimental projects, without losing their leftfield qualities.
Recent NSA wiretap transcripts have uncovered a transatlantic telephone conversation which could have disastrous consequences.
Not satisfied with remaking their own classics, Korg engineers have recreated ARP’s legendary synthesizer, the Odyssey.
This is far from being the first clone of a UREI 1176 FET compressor, but it's probably the cheapest to have hit the production lines. Is any of the classic sound sacrificed in Warm's cost-cutting quest?
Clavia have considerable experience and expertise when it comes to designing stage keyboards. Is this the best one yet?
In 1985 John Lydon found himself in a New York studio with producer Bill Laswell and a group of session musicians. The result was to become one of PiL’s most recognisable tracks.
Familiarity with a few common articulations is the key to successful MIDI string arranging.
Turn your DAW’s aux sends into wet/dry blend controls that won’t raise the overall level of your signal.
Few have contributed as much to the technology behind rock & roll as Charlie Watkins and his company, WEM. We celebrate the life of one of audio’s great inventors.
In over 30 years in business, Miloco has developed from a small independent studio to a venture that is operating worldwide.
French pop music was once as uncool as you could get, but over the last 15 years, AIR’s distinctive, retro-tinged electronica has conquered the world.
This month we discuss Rudimental, Calvin Harris, Taylor Swift and our Classic mix track is 'If I Don't Care' by The Inkspots.
What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out...
Often overlooked, EXS24 is a very valuable feature of Logic. So why and how should we be using it?
Success in the library music world is partly about who you know — so get out there and get to know people!
Star producer Ariel Rechtshaid inhabits many different musical worlds at once. No wonder he’s busy...