SOUND ON SOUND
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KMI bring their trademark tactile genius to the world of percussion pads.
LaChapell Audio’s experience with tubes has enabled the company to develop its proprietary TrueTube technology...
As regular readers of Sound On Sound might know, one of my Christmas rituals involves dismantling my studio, pruning away anything I haven’t used in a while and then putting it all back together again...
Lewitt’s latest mic is so quiet that its noise floor is below the level of human hearing! But what about the sound you can hear?
Make mono guitars monstrously wide with Logic Pro X’s Dual Mono features and Track Stacks.
Intended as a means of adding ‘analogue mojo’, this device has been designed to integrate seamlessly into a DAW-based workflow.
With Mackie’s experience in making monitors, it’s no surprise that their affordable new range punches above its weight.
Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.
For anyone regularly needing to mic a grand piano, the Mirizio Microphone Mount is a very elegant and cost-effective solution.
Modartt’s modelled piano just keeps getting better...
Analogue Solutions introduce their new SynthBlocks range with two highly individual devices.
MusicLab’s latest update makes RealGuitar more real than ever.
They say that absolute power corrupts absolutely. But it does give you a certain amount of artistic freedom.
Gender equality in music production still has a way to go.
Software instruments range from the massive and deep, such as Spectrasonics Omnisphere, to the very basic. Psychedelic FX 6000 V1 definitely inhabits the simpler end of the spectrum — and that’s all part of its appeal.
If there is such a thing as a classic plug-in, Line 6’s Echo Farm surely falls into that category...
The VoiceTracer series spans everything from dictaphones to this —a serious PCM recorder with XLR input module and phantom power.
MangledVerb first appeared as an algorithm in the rackmount Eventide Eclipse effects units. It then migrated to the H9 guitar pedal, and is now available as a self-contained plug-in supporting all the usual formats.
RZ062 is a faithful recreation of a valve EQ that was made by Siemens in the 1950s — or rather, of two different valve EQs, because Audified have modelled both ‘A’ and ‘B’ versions of this processor as separate plug-ins.
With their easy portability and clear, transparent sound, PreSonus’ latest range of PA speakers couldn’t have been better named.