SOUND ON SOUND
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Grammy-winning producer Ian Brennan discusses his approach to working with unique artists in outdoor locations around the world.
Helix systems are converting many guitarists to amp modelling, and the newest of them brings Line 6’s latest algorithms to your DAW.
HH’s affordable Tessen range has been upgraded, and now represents even better value for money.
When a track contains nothing but beats and vocals, the vocal mix has to be perfect. Mix engineer Evan LaRay explains his role in taking Cardi B’s ‘Bodak Yellow’ to number one.
If you’re looking for a monitor that goes loud and low, and has excellent high-frequency performance, JBL’s new range might just fit the bill.
This high-end valve mic sounds every bit as classy as it looks, and a unique voicing switch adds to its versatility.
The Kross 2 enjoys the twin benefits of Korg’s workstation pedigree and an attractive price tag.
Around this time of year I often get asked what I expect to see at the Winter NAMM show...
This neat gadget opens up a host of possibilities for electric and acoustic guitar.
We conclude our in-depth guide to the world of library music with an essential cut-out-and-keep explanation of the key words and phrases you’ll hear.
With Live 10, Ableton’s aim is to make the music‑making process as smooth as possible. Have they succeeded?
We examine three different ways to harness the power of granular synthesis in Live.
We take a closer look at the automation features in Logic Pro X.
The MÖG Wavefolder doesn’t just modify waveform shape, it squishes, shifts, boosts and distorts — and is equally happy doing the same to control signals.
We check out this high-fidelity two-channel stereo audio recorder and playback module that can record high-quality (stereo) WAV files whilst simultaneously playing two different (stereo) files.
When you’re recording a Morrissey album, you need to be ready for anything...
We continue our trek through the production of Damnation’s Hammer’s latest album: did all that pre-production effort pay dividends in the studio?
If only we could all work together, we could compete against each other more effectively.
Tax breaks offer some hope for our ailing industry.
Pro Tools isn’t just for recording and mixing. It’s also pretty handy for mastering work.