SOUND ON SOUND
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Go-to producer for Taylor Swift, Lorde and St. Vincent, Jack Antonoff has the rare ability to translate wild experimentation into record sales.
Although primarily a hi-fi brand, KEF have strong links to some classic monitor designs — and in this new compact speaker, it shows...
Korg’s new stage piano might just be the best you can buy...
If you make and record music using computers, as most of us do, you rely heavily on technology and have to come to terms with the fact that things can sometimes change more quickly than you might like.
Soundtoys’ new reverb might be little, but it has a big sound...
Composers need publishers. But are they there to help us, or help themselves?
We delve into the mysteries of granular synthesis with Max For Live’s Granulator II instrument.
Create, recall and control complex effects chains and routings with Logic’s Smart Controls and Track Stacks.
Top FOH engineers tell us which stage vocal mics they recommend — and why!
Miktek’s MX4 mini-mixer includes its own phantom power source, which is a big step up from typical budget mini-mixers...
In this three-part series, we follow the painstaking production of a metal album, all the way from rehearsals to release.
Every now and again a module appears that slots into a niche you didn’t realise existed, but once it’s there you start to see all kinds of new possibilities...
Bored with plain old Sample & Hold? We check out the updated Turing Machine MkII along with the new Pulses and Volts expanders.
The world’s most famous console preamp and EQ continues to evolve to meet the needs of the modern studio.
There are always loose ends in the murky world of music for the media. And sometimes those loose ends end up tied round your neck.
Are album credits finally coming to streaming services?
Torque lets you retune a drum that’s already been recorded, but without introducing the artifacts that simple pitch-shifting always seems to throw up.
Celestion have made available impulse responses for a wide range of their classic speakers mounted in 1x12, 2x12 and 4x12 cabinets, and miked with appropriate single or double mic arrays.
Kilohearts not only develop plug-in processors but also what they call Snapin Host multi-effects plug-ins...
We explain the pitfalls to avoid when transferring projects from other DAWs for mixing in Pro Tools.