SOUND ON SOUND
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Roland have announced that they will be releasing two modules based on classic products for their Boutique format. The SH-01A...
iZotope are highly regarded for their audio production tools and their software for mixing and mastering...
With the H9 Harmonizer, Eventide managed to design a guitar stompbox that may never become obsolete. Less a pedal...
Samplecraze have announced the launch of a new web site with hundreds of new music production tutorial videos...
Apogee have announced an update to their Element and Ensemble Thunderbolt audio interfaces that will interest users of Logic Pro X.
Plug-in supremos Soundtoys have announced that for 48 hours only, they’re slashing PanMan's already low Summer...
Overloud’s TH3 guitar amp simulator delivers the world’s largest collection of models in a single software —...
Renowned microphone makers Blue have today announced Raspberry Studio, an all-in-one mobile...
Bringing the 099 to market took 15 years of ingenuity and application — and the result offers far more than a typical Fairchild clone.
When it comes to virtual effects and instruments, Sugar Bytes don’t really do ‘normal’. Even Unique, on the surface a pretty conventional-looking software synth, manages to pack in a twist or two...
ROTOR is the latest release by Barcelona-based Reactable Systems, and brings another slice of their attention-grabbing virtual modular synth to a wider audience.
Star producer Ariel Rechtshaid inhabits many different musical worlds at once. No wonder he’s busy...
Arturia’s first foray into the world of audio interfaces squeezes a huge amount of connectivity into a compact desktop box.
The Footprint 01 is Barefoot’s most affordable monitor yet. Does it give away much in terms of performance?
How do you go about translating one of the most iconic studio albums of all time to the stage? We speak to FOH engineer/production manager Clint Boire about the 50th-anniversary tour of the Beach Boys’ Pet Sounds.
Live loop triggering may not be Cubase’s raison d’être, but it can be done...
What matters in today’s music business is not how loud your mixes are, but how dynamic. This clever new plug-in helps you get them into the zone.
In designing the Blurst, Electro-Harmonix have essentially built a synth-style resonant, fourth-order, low-pass filter and put it into a guitar/bass pedal.
Electro-Harmonix’s Canyon is a delay/looper, but it goes the extra mile, packing a wide repertoire of delay effects into its compact pedal format.