
Inside Track: Dua Lipa 'Don't Start Now'
Dua Lipa's mega-hit 'Don't Start Now' grew out of a writing session in Wyoming to achieve world-wide chart domination. Producer Ian Kirkpatrick was there from the start.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Dua Lipa's mega-hit 'Don't Start Now' grew out of a writing session in Wyoming to achieve world-wide chart domination. Producer Ian Kirkpatrick was there from the start.
Innovative production can be made or broken by the mix — and in Rob Kinelski, Billie Eilish's team found the perfect foil.
Manon Grandjean not only recorded and mixed the chart-topping debut by UK rapper Dave — she also mastered it!
Production crew TMS LDN built their career the hard way — and wrote Lewis Capaldi's smash hit 'Someone You Loved' in an afternoon.
The highlight of Queen biopic Bohemian Rhapsody is a meticulous recreation of their most famous live show — using a fresh mix of the original audio recordings.
Urban music is often a springboard for new producers and engineers, and 21 Savage's chart-topping album was no exception.
Searching for a crossover hit, the team behind classical tenor Andrea Bocelli turned to one of the all-time great rock producers.
Performed live and filmed in a single take, Justin Timberlake’s ‘Say Something’ is one of the most ambitious music videos ever made.
Greg Wells has worked with everyone who’s anyone in the world of music — but nothing could prepare him for mixing a film soundtrack!
Keeping up with the Nashville music world means working fast — and few mix engineers work as fast as Billy Decker!
Not only is Atlanta’s rap scene producing stars like Lil Uzi Vert, but it’s also providing opportunities for a new wave of engineering talent.
With a stellar line-up of producers, engineers and co-writers behind her, Lana Del Rey appears to be unstoppable...
Electronic, heavily processed and sample-based, 22, A Million was a radical departure for Bon Iver — and from normal recording and mixing practice...
Is mixing on a large analogue desk still worth the trouble? For George Seara and Shawn Mendes, it seems to be working out quite well...
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
Truly an international effort, Lukas Graham’s breakthrough hit ‘7 Years’ was masterminded by a Danish film-sound designer and a Californian mix engineer.
Musically, Rod Stewart’s latest album harks back to ’70s folk-rock, but its writing and production were totally 21st Century.
The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.
A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.
In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment — and took full advantage.