SOUND ON SOUND
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Modwheel are a small New Zealand-based company set up by composers Steve Roche and David Donaldson as a way of marketing their quirky Kontakt instrument designs.
This uniquely powerful pitch, energy and time alignment software could save you hours of edits.
Toontrack’s Dream Pop EZX expansion pack for EZdrummer is most definitely not just another acoustic drum kit...
Audiobook Recording: spoken word in the project studio presents a different set of challenges to most music productions.
We built and then test-drove the world’s first commercially available fully modular console. Here’s what we thought...
Comping may get all the attention, but Sonar’s punch options are powerful and fast.
Shirley Collins’ album Lodestar has been a long time coming. Thirty-eight years, in fact...
I’m regularly asked for career tips by student engineers, and I usually state my opinion that success in this industry is more about attitude than anything else...
Source Audio are really pushing the boundaries of delay processing with their latest One-series pedal, the Nemesis Delay...
Managing large sessions in any DAW can be tricky. Fortunately, Studio One has the tools to help.
Spitfire consolidate their symphonic brass into a single bumper package.
Running a successful multi-room recording facility is challenging at the best of times, and relocating such a studio to a different continent is in an entirely different league of difficulty! This, however, is what Francesco Cameli has done.
The Konnektor promises mastering engineers the drag-and-drop simplicity and recall of plug-in remote control.
Down at the bottom of the garden, among the birds and the bees, we went to Alex Hutchings’ studio, to eliminate some unpleasant frequencies.
Twenty One Pilots • The Weeknd featuring Daft Punk • The Chainsmokers featuring Halsey • Biffy Clyro • Classic Mix: The Righteous Brothers ‘You’ve Lost That Lovin’ Feelin’’ (1965)
The Gates Sta-Level broadcast compressor is a classic — but it isn’t cheap. Can Wes Audio give you the same sound for less?
After 5 years working in near secrecy, Grammy-winner Jeff Ellis discusses his work with enigmatic, R&B trailblazer, Frank Ocean.
The latest incarnation of Fluid's unusual FPX7 monitor combines the bold, concentric-ribbon design of the earlier version with an altogether more satisfying tonality.
I’m using Ableton Live and bounced my last few finished tracks in the 32-bit float format. I’d rather not have too many different versions of the same tracks floating around, so is there a preferred word length for when I bounce files out for mastering?