SOUND ON SOUND
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Roland have embraced the Eurorack format with their semi–modular System 1m and four Aira effects modules.
I don’t know whether it’s just me, but haven’t we seen rather a lot of very good Kontakt-based sample...
Shreddage might sound like a Heston Blumenthal recipe involving Shredded Wheat and cabbage, but it’s actually a Kontakt-based sample engine from Impact Soundworks.
The medieval crusades were a long-running series of military campaigns that took place in the Eastern Mediterranean region...
While I’m not 100 percent sure I could define exactly what distinguishes intelligent dance music (IDM) from some other forms of electronic music production, Zero-G’s Cinematic IDM library provides over 3GB of sample material aimed at that genre.
These files accompany the Sample Shop articles in the January 2016 issue of SOS.
Audio files to accompany the article.
Our engineer describes a novel and affordable way to mic an acoustic guitar duo in a small space.
Get acquainted with Sonar’s many EQ options.
Sonokinetic’s Tutti Vox is a choral sample library, but it’s not like other choral sample libraries...
This month we discuss tracks from Hilary Hahn, Drake, Adele and Rachel Platten. Plus, our Classic Mix: The Kinks 'You Really Got Me' (1964).
Moog modulars have always been unattainable objects of desire for most of us. But all that’s about to change...
After 10 years with no major updates, Reaktor bursts back into the spotlight with the ultimate virtual modular rack.
It’s easy to ignore the question “Is it any good?” — but job satisfaction lies in keeping it in mind.
Struggle with your strumming? Perhaps NI’s Strummed Acoustic can lend a helping hand.
Novation’s new groovebox, sequencer and performance instrument could be this year’s essential synth accessory.
In our second workshop on Logic Pro X’s Alchemy synth, we look at its creative sample-manipulation capabilities.
We look at corrective and creative vocal tuning in Reason.
Synthesizers: why vintage will always be king.
The Squeal Killer, from Stella Vee Amplification, is a pedal-sized box designed to sit between a harp mic and a tube amp, with the sole aim of reducing feedback.