SOUND ON SOUND
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**** Dirt Bag by Simeon promises "hundreds of grungy, fresh and inspiring dance samples", and that's a fairly accurate description of what's on offer here...
Hey man, nobody ever asks me about this stuff. I love talking about it, so thank you,” exclaims J. Cole.
Ken Andrews won a blind shoot-out against some of the biggest names in the mixing world. His prize: the plum job of mixing Paramore’s acclaimed comeback album.
Jeff Bhasker doesn’t usually mix his own productions or work with indie-rock bands. With Fun, he did both — and created a worldwide hit.
This often-overlooked orchestral family holds the key to a wide range of exciting tonal colours.
If you've got a recent soundcard supporting SoundFonts, such as the Soundblaster Live! or Value models, or the Emu APS, then...
If you enjoy hitting things with sticks but balk at the cost of percussion controllers, this no-nonsense device could be just what you've been waiting for.
Dolby Laboratories have been leading the development of surround-sound systems for four decades, but over the last year or so they have been piloting an intriguing surround system in a famous UK night-club...
This month, we look at how to connect, control and record hardware MIDI instruments using Live.
The key features of Acoustica’s Mixcraft have always been affordability and ease of use. Version 6 builds on these strengths but also adds a new Pro Studio edition.
We find out how much you can do in the mix when the recordings aren't up to scratch — and how much you can't!
Dynamic convolution can be used to ‘sample’ any piece of audio gear. Have Acustica succeeded in giving this advanced technology a friendly face?
This month's tracks from Clean Bandit, Oliver Heldens, Meghan Trainor, Barbra Streisand and our Classic Mix Bill Haley & His Comets Rock Around The Clock.
Never one to rest on his laurels, Roger Linn’s latest creation aims to bring unprecedented expressivity to MIDI musicians.
Setting up an old-fashioned step sequencer in Ableton Live is easy.
This orchestral compilation focuses on full-range, multi-instrument ensembles, enabling you to play complete orchestral sections without having to laboriously program their individual components.
In 1987, swimming against the tide of MIDI–powered pop records, Cowboy Junkies went into a church to record an album into a single microphone in a single day.
Paul White discovers that it's good to talk, especially when you have some help from Digitech.