SOUND ON SOUND
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These files accompany Cubase Technique article in the November 2014 issue.
Cubase has all the tools you need to add vocal glitching effects to your pop or EDM tracks.
Few compact wedges can boast the same quality, versatility and robustness as this uncompromising speaker from Dynacord.
Why do we need a ‘68 model of this classic amp when Fender already have a ‘65 in the range?
In their new PX series of monitors, Fostex have chosen to use DSP to provide a range of useful configuration options.
Does DM307 live up to Heavyocity’s reputation for seriously good beat creation tools?
Tom Petty’s first US number one album was mixed almost entirely without hardware — and with only two plug-ins!
MIDI control between Live and Reason now works in both directions.
Discover the power of Logic Pro X’s advanced automation features.
We examine the production of some recent hits to help you brush up on your listening skills. Lilly Wood, Taylor Swift, George Ezra and our Classic Mix is Mariah Carey 'Without You'.
Arc Pilot: When you’re talking about bass, it’s definitely possible to have too much of a good thing!
Moog’s latest synth, the Sub 37, sees the company return to the form that made their reputation back in the 1970s.
So many Leslie speaker emulators are mere approximations. Could authenticity lurk in these tiny boxes?
Everyone’s patience has limits — but as a professional, you should never reach them.
The MP3 may not be the perfect medium, but music has survived on far, far worse...
These files accompany Pro Tools Technique article in the November 2014 issue.
For the first time, fans of Phoenix gear can assemble a full recording channel.
A lot of the music I’m enjoying seems to be going back to an old-school sound of being swamped in lush reverb. Examples...