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The makers of VocAlign have built on its capabilities, creating software that can not only match the timing of vocal parts, but their pitch and level too.
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The makers of VocAlign have built on its capabilities, creating software that can not only match the timing of vocal parts, but their pitch and level too.
Audio files to accompany this month's article.

How close have this boutique company come to recreating the sound of a vintage AKG C12?

Among Samplitude Pro X’s unique features is spectral editing in the main project window. Here’s how it works.

Video tutorial to accompany this month's article.

The ‘Ricky’ bass sound graces many a classic track. Have Scarbee nailed its distinctive qualities?

Optimise your vocal tracks in Sonar X2 before you start mixing.

With user-configurable valve stages, the option of transformer-coupling and more besides, Sonic Farm’s preamp provides a broad palette of tonal options.

How can you build something from nothing when no one tells you anything?

Three-way monitors have traditionally lived at the top end of the market, but there’s now a good choice of models on offer in the sub-£2000 $3000 category. Here’s a selection of recent options, with links to the SOS reviews where available.

Many bands record their own albums these days, but few achieve as much with as little gear as Stornoway.

We step inside one of the longest established residential studios in the UK.

Explore and learn to use Studio One 2’s Audioloop and Musicloop formats.

IK’s flagship suite of plug-in processors continues to grow, with the addition of a channel strip and several handy multi-band modules.


This month's productions: Angel, Simple Plan featuring Sean Paul, Lawson and classic mix AC/DC's Back In Black from 1980.

Designed to work with the Roland GK-series pickup.

DI boxes are essential pieces of stage equipment, but to get the most out of them, it helps to know what they do — and how they do it...

A massive string ensembles library with individual player control is the latest development in VSL’s product line.

When RCA abandoned ribbon mics, Wes Dooley of AEA believed they still had a place in the modern studio — so he set about making his own.