SOUND ON SOUND
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Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells.
Cubase 7’s Mix Console is far more capable than its predecessors, but can be daunting to newcomers. We show you how to configure it to your needs.
With an emphasis on clarity and speed, and a not insignificant price tag, this preamp/compressor combo promises a lot. Does it deliver?
The latest version of the Digitech Whammy — the pedal-operated digital pitch-shifter that has been keeping guitarists amused...
WAV/REX2/Live/Apple Loops/Refill
The Echo 2 certainly looks the part, with its contemporary touchscreen interface, but does it back up the style with substance?
The Blackbird from Effectrode is a two-channel, valve-driven guitar preamp. Essentially the front end of a valve amp stuffed...
An unconventional Fender Rhodes Stage 73 Mk1 electric piano Sample Library.
Event eye up the uncrowded market for affordable three-way speakers with their new active 2030s.
Gefell’s reissue of a historic Neumann mic, made in the same factory as the original, exudes class — and has a price to match...
When you make recordings designed to show off your hi-fi systems, they had better be good! It’s no accident that Philip Hobbs of Linn is one of the UK’s leading classical engineers and producers.
In his quest for authenticity, director Tom Hooper drove his Les Misérables technical crew to completely reinvent film soundtrack recording.
It’s named in honour of everyone’s favourite giant ape, but will Korg’s new keyboard scale the heights or be shot down in flames? Find out in our exclusive review...
Editor In Chief Paul White asks "Should Plug-In 'vintage effects' offer something different?"
Try some guitar-amp modelling with Live, a couple of plug-ins and a bit of know-how.
Logic’s Ultrabeat is more than just a drum machine — so get creative with it and ‘glitch up’ your dance tracks!
Our tame engineer shows that you can craft a great mix even using compression in moderation, and that a little editing up front can make the job of mixing a whole lot easier.
Muse Research continue to refine their Receptor virtual instrument player.
Stupidity is annoying, but at least it’s only a distraction. Isn’t it?