SOUND ON SOUND
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These audio files accompany the Flea 47 review that appeared in SOS September 2011.
Put down your bells, books and candles — this a ghost you do want in your machine...
Hugh Robjohns checks out a wooden-faced master clock made by Dutch engineers Grimm Audio.
The long-awaited version 3 of the GRM Tools suite introduces three new plug-ins, the likes of which have not been seen or heard before!
Have you ever wished that artists could control their own monitor mixes? With this system they can, whether on stage or in the studio.
Audio files to accompany the article.
Adele’s second album, 21, has broken sales records all around the globe. Mixer Tom Elmhirst and producer Paul Epworth explain how they created its multi‑platinum lead single, ‘Rolling In The Deep’.
The Eon range of portable powered speakers evolves further, with new styling, improved output, and more besides.
Paul White investigates a pair of mics that can extend your recording options considerably without depleting your bank account!
What better place to start building your mix than the kick-drum and bass parts? Get them to work well together and you’re on your way to a good mix...
At last, the quest to recreate the classic single-coil tone — but without the noise — appears to be over.
Kush have established a reputation for unique‑sounding gear that features idiosyncratic controls, and their Clariphonic is no exception...
Prodigy live engineer Jon Burton talks to some of the world’s top sound engineers about the similarities and differences between tour and studio work.
There’s more to Live’s Vocoder than meets the ear: it can generate all manner of unexpected effects.
From wave sequencing to gated pads and basses — it can all be done with Logic’s ES2 synth!
Audio files to accompany the article.
We all know music is getting louder. But is it less dynamic? Our ground-breaking research proves beyond any doubt that the answer is no — and that popular beliefs about the 'loudness war' need a radical rethink.
If you’re in need of some extremely portable amplification or monitoring, Mackie’s tiny SRM150 might just save the day.
We explore some of the most common causes of mix failure we’ve tackled in our monthly Mix Rescue column. Banish these demons and you’re most of the way to a devilishly good mix! Here are ten reasons why your mixes don’t work — and what you can do about it!
• Dev Featuring The Cataracs 'Bass Down Low' • Wretch 32 'Traktor' • Aloe Blacc 'I Need A Dollar'