
Celemony Capstan | Media
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Whether you prefer to record your sounds cleanly or with coloration, the Cartec Pre-Q5 can deliver the goods.
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The unlikely result of a collaboration between two 4AD bands, the release of ‘Pump Up The Volume’ by MARRS was a great day for house music and copyright lawyers alike.

Clavia’s new drum box takes a typically idiosyncratic approach to percussion synthesis.

Cubase’s quantise tools aren’t just for MIDI these days: find out how to make your recorded audio parts sit in the same groove.

Desert Winds focuses on just four wind instruments, but does so in magnificent detail, each featuring up to six different natural legato types.

Want to sell your music overseas, but lack the contacts, money or experience to break into foreign markets? Help and funding is available, and here’s how to get it.

This compact stage monitor puts the foldback controls exactly where they’re needed — right in front of the performer!

Top producer RedOne has had hits with dozens of artists, but relies on one man to “finish” tracks like Nicki Minaj’s ‘Starships’: engineer Trevor Muzzy.

Exactly what sets a mic stand apart from the crowd?

While the term 'first do no harm' may embody the spirit of the Hippocratic Oath, the phrase itself is apparently absent from...

This innovative large-diaphragm mic offers more pad, pattern and filter options than you can shake a stick at — but how does it sound?
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Discover how to use Live’s clip warping as a sound design tool.

Use Logic’s plug-ins to digitally recreate a classic analogue sound.

Film trailer/TV composer Dan Graham has created several sound libraries featuring small groups of players from the Liverpool Royal Philharmonic Orchestra

Mackie have added to their popular range of active PA speakers with this modular line-array system. Does it deliver the goods?

Our tame mix engineer was asked to inject some dark, moody aggression into this month’s track. Read on to find out how he did it...
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