SOUND ON SOUND
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Hugh Robjohns gets to grips with a cable tester from Studiospares that offers great value for money.
Do these closed‑back cans from German company Ultrasone have what it takes to compete with established studio models?
A few years ago, I commented in this very column that, despite advances in recording technology, many of our readers still...
Adobe’s audio editing package has been fully rewritten, ported to Mac OS and integrated into their Creative Suite. Does it have everything you need for audio post‑production?
Achieving the perfect balance of analogue mixer and control surface in one product used to mean getting a mortgage on a high‑end SSL or reducing your analogue channel count. Not any more...
Apple go futuristic, with announcements made at the recent Worldwide Developers Conference...
DI boxes may have a simple function to perform — transforming impedance and changing or matching levels — but there are...
The Black Keys’ Brothers was the first album to be recorded at Muscle Shoals in 30 years. But with all its equipment long gone, would engineer Mark Neill be able to recapture the studio’s legendary sound?
Dr Alex Paterson tells us how the Orb’s cavalier sampling and devil‑may‑care attitude towards copyright took ambient house from the chill‑out room to the top of the charts.
Comping the perfect vocal from multiple takes is a common editing task — and Cubase 6 makes it easier than ever.
Much like the previous offering from Sonokinetic (Tigris & Euphrates), this collection of samples focuses on what is...
DMG Audio’s innovative plug‑ins combine friendly interfaces with an amazingly comprehensive feature set. Could they be the only EQ and compressor you’ll ever need?
Can a preamp and D‑A converter successfully straddle the pro-audio and hi‑fi markets? Drawmer believe it can...
According to Soundorder's publicity, the sample content of Electronic Drums has been taken from Battery Sample Sets ...
You’d think a digital effect processor’s brilliance might have been eclipsed somewhat in the last decade, but Eventide have made significant software changes that keep this one fresh, relevant and desirable.
Hampered by high expectations and an unhealthy obsession with vintage gear, Fleet Foxes’ second album took a year to make, in five different studios...
The M930’s bigger brother is a large‑diaphragm condenser that displays all the Gefell family traits, but with added visual appeal.
If you’re looking for a lightweight PA setup that can be scaled to suit your needs, HK’s Elements system warrants closer inspection...