These demonstration recordings accompany the SOS eBook Stereo Miking and illustrate the effect of different array choices and distances on the sound character and stereo image.
In our exclusive video, Abbey Road's Mirek Stiles explains how EMI’s studio boffins developed their secret weapon, and puts it through its paces on drums, guitars, vocals and more.
It's more than 20 years since the BBC closed their legendary Radiophonic Workshop, but its spirit lives on in the Radiophonic Room at Manchester's Eve Studios.
A new business model for mastering houses allows you to submit tracks via the Web and pay on-line. Last month, we embarked on a unique test of these services. This month: the results are in...
A new business model based around the Internet promises to make professional mastering more convenient — and much more affordable. But is on-line mastering a real alternative or a false economy? We put the UK's leading services to the test.
Mike Simmons concludes his serious on designing and cosntructing a web site by answering some of the mant reader queries received in response to earlier instalments.
Mike Simmons ties up some loose ends with some words on browser compatibility, a look at other Internet music other than Real Audio, and a brief guide to using frames on your site.
Mike Simmons continues his introduction to web design for musicians with a more detailed look at the most important HTML tags, and explains how, when and in what form to use graphics on your site.
Computers have always been important in the hi-tech studio for sequencing and, latterly, recording audio. They can, however, be equally useful for publicising and distributing your music, if you're connected to the Internet. Mike Simmons explains the basics of setting up a web site from a musician's perspective.