With a career that now spans 40 years, Supple has worked with artists across a wide range of genres, including Coldplay, Pet Shop Boys, Morrissey, Suede, U2, Spandau Ballet, Elbow and Kylie Minogue, to name but a few.
Award‑winning American producer, engineer and mixer Jacquire King has an impressive CV that includes the likes of Kings Of Leon, Buddy Guy, Shania Twain, Tom Waits and You Me At Six, among many others.
Legendary engineer Phill Brown has worked with the biggest names in music, from Led Zeppelin and David Bowie to Cat Stevens and the Rolling Stones. Asked to choose a favourite sound from his vast catalogue, he nominates the drum sound on ‘After The Flood’, from Talk Talk’s 1991 album Laughing Stock.
Eddie Bazil demonstrates creative uses of advanced automation as a musical tool in the DAW, showing how automation can add movement, expression and musical detail.
Asked to nominate a favourite sound from his vast back catalogue, Jeff zeroes in on the drum recording for Shania Twain’s 1997 hit ‘Man! I Feel Like A Woman’.
If there was a monitoring system that was reliable, affordable and sounded the same everywhere, would you use it for mixing? Well, there is — and you probably already own it.
William Basinski’s archival recording project gained a life of its own when the tapes began to deteriorate, and then took on a new significance in the wake of the September 11th attacks.
Guitarist Steve Rothery is the longest‑serving member of prog‑rockers Marillion, and here he details how he got his favourite guitar sound on Marillion’s ‘The Great Escape’.
Famed recording engineer and record producer Kyle Lehning started his recording career at the age of 18 in Nashville. His career trajectory saw him go on to work with a virtual Who’s Who of the American country music scene...
These audio files accompany the Pop Vocal Mixing article in SOS November 2025. The song featured in these examples is 'April Blues', by the artist Moni Blue.