Comment / Opinion

Paul White and Hugh Robjohns pick their software and hardware highlights from the last 12 months.

Creating an environment where artists can flourish means building trust, understanding people and valuing everyone’s input.

Up‑and‑coming engineers and producers deserve protection from exploitation, discrimination and sexual harassment.

When our job involves a lot of sitting down, it’s up to us to inject some movement into our lives.

If music be the food of love, shouldn’t we eat better while we’re making it?

Many of us dream of setting up a recording studio. But where do you start — and what’s it really like to run one as a commercial business today?

Paul White and Hugh Robjohns pick their hardware and software highlights from the last 12 months, plus feature some late arrivals.

What can audio equipment manufacturers do to minimise their impact on the environment? We look for answers in the forests of Finland.

Paul White and Hugh Robjohns engage in a lighthearted discussion about what peeves and annoys them about today's music software and recording hardware.

Is your track ready for mastering? How can you find a manager? Does that sound out of tune?

Sound On Sound's Editor...

The SOS editorial team shared notes to come up with 21 ways you can greet 2021 with a better studio.

A Grammy‑winning engineer shares his secrets.

The SOS team pick their highlights from 2020's hardware and software launches.

In this video, SOS Editor In Chief Sam Inglis counts down his unsung heroes, the Top 10 items that won't make your heart beat faster — but will prove vital in the heat of a session.

The designers behind some of today's most innovative studio microphones tell us what we can expect from the mics of tomorrow.

Studios may be suffering in the 21st Century, but they still hold a certain appeal — not least as wedding venues.

Branding is perhaps more important now than it’s ever been — but the old rules of providing a valuable service still apply.

Who benefits from wordy and expensive contracts in the world of music for media? Not the musician, that’s for sure.

Many still bemoan the demise of the large commercial studio — but what if music itself was to blame?

Don’t get too carried away at the idea of seeing your name in lights. For one thing, it might not be your name, exactly...

If you think the life of a media composer is difficult today, spare a thought for the man who invented the job.