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DAW Software

A DAW, which stands for Digital Audio Workstation, is a software tool that enables users to capture, modify, and create audio content. It is utilised in various contexts such as music production, sound design, game audio, film and TV post-production, and podcasting.

Primary uses of a DAW

The primary purposes of contemporary Digital Audio Workstation software comprise: 

Recording: All DAWs enable users to capture audio from different sources like microphones, instruments, and MIDI controllers using an Audio Interface connected to the computer.

Editing:  DAWs enable users to cut, copy, paste, and rearrange sections of audio files. They also provide a range of tools for improving the quality of audio, including noise reduction, EQ, and compression.

Mixing: Digital Audio Workstations enable users to blend various audio tracks, modifying volumes, positioning, and adding effects to produce a unified end result.

Mastering: Digital Audio Workstations (DAWs) provide features like loudness normalisation and EQ adjustments to ensure the final audio meets industry standards.

Advantages of utilising a Digital Audio Workstation

Efficiency: DAWs enable users to efficiently record, edit, and produce audio with ease, cutting down on time and effort when compared to traditional analogue techniques.

Flexibility: DAWs offer a wide range of tools and features that allow users to customise their audio production process and achieve the desired results.

Collaboration: Numerous DAWs provide tools that enable users to work together and collaborate on projects from different locations, simplifying the process of collaborating on audio projects such as podcasts and song creation.

Portability: Digital Audio Workstations are compatible with different devices such as desktop computers (Mac/PC) , laptops and tablets, allowing users to work on audio projects conveniently from any location.

There are many popular software DAWs, some of which come built into the Operating System of your favourite computer, such as Apple GarageBand on Macs. Sound On Sound regularly covers all the top brands in its monthly DAW Masterclasses. From Steinberg Cubase and Avid Pro Tools, PreSonus Studio One and Apple Logic Pro, MOTU Digital Performer to Ableton Live, Reason Studios Reason and Cockos Reaper, you'll find how-to techniques and tips for all of these and other DAWs collected under the sections shown above.

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    Rewiring Live

    Ableton Live Tips & Techniques

    Reason 6 and Live make a great double act, and now it’s even easier to Rewire them together...

    Techniques Mar 2012
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    Snap & Nudge Editing

    Logic Tips & Techniques

    We're reading between the lines in Logic this month, with a look at editing using the snap and nudge facilities.

    Techniques Mar 2012
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    Avid Pro Tools 10

    Digital Audio Workstation Software

    With Pro Tools now catering for such a wide range of users, can the latest version provide both value and satisfaction for everyone?

    Reviews Mar 2012
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    Loop Recorder

    Reaper Tips & Techniques

    Build your own loop recorder in Reaper and test the limits of your creativity.

    Techniques Mar 2012
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    The Echo

    Reason Tips & Techniques

    Reason 6's fabulous new device, The Echo, makes the creation of sophisticated delay-based effects child's play.

    Techniques Mar 2012
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    ProChannel Flexibility

    Sonar Tips & Techniques

    Previously a hard-wired channel strip, ProChannel is now an 'open' plug-in host offering unprecedented effects order flexibility — which can make a huge difference to your sound...

    Techniques Mar 2012
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    Multitrack Comping

    Cubase Tips & Techniques

    Cubase’s new comping facilities allow you to assemble the perfect multitrack recording from several takes.

    Techniques Feb 2012
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    Auto Filter

    Ableton Live Notes

    Live’s outwardly simple Auto Filter has a lot more to it than you might think...

    Techniques Feb 2012
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    Layering Using Environment

    Logic Tips & Techniques

    Lift the bonnet on Logic’s Environment and open up some complex layering possibilities.

    Techniques Feb 2012
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    Keyboard Editing Shortcuts

    Pro Tools Tips & Techniques

    Pro Tools lets you edit audio from the keyboard, without even touching the mouse. Here’s how.

    Techniques Feb 2012
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    WALTER: Customisation In Reaper

    Reaper Tips & Techniques

    Customise your controls and layouts in Reaper, with our beginner’s guide to the WALTER interface engine.

    Techniques Feb 2012
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    Reason 6: Alligator, Gates

    Reason Tips & Techniques

    Reason 6 has upped its game on the gating front, adding per-channel gates and the snappy new Alligator...

    Techniques Feb 2012
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    Flanger Management

    Sonar Tips & Techniques

    Take Sonar back to the ’60s with this vintage-style tape-flanging effect!

    Techniques Feb 2012
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    Keyboard Shortcuts

    Cubase Tips & Techniques

    Mastering keyboard shortcuts makes Cubase easier to use and is good for your health!

    Techniques Jan 2012
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    MachFive 3

    Digital Performer Notes

    Get up and running with MOTU’s MachFive 3, an ideal software sampler partner for Digital Performer.

    Techniques Jan 2012
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    Ableton Live: Grain Delay

    Ableton Live Tips & Techniques

    We demonstrate that there’s more to Live’s Grain Delay than bizarre effects.

    Techniques Jan 2012
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    Vinyl Effect

    Logic Notes

    Take it slow with Logic Pro, as you get to grips with this vinyl effect...

    Techniques Jan 2012
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    Vinyl Effect | Media

    Logic Notes

    Audio files to accompany the article.

    Techniques Jan 2012
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    Editing Using The Keyboard

    Pro Tools Tips & Techniques

    Save time and protect yourself from RSI by learning to edit audio in Pro Tools from the QWERTY keyboard.

    Techniques Jan 2012
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    ReaVerb: Part 2

    Reaper Notes

    Record your own impulse responses with Reaper’s ReaVerb. • Read Part 1

    Techniques Jan 2012
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    Reason 6 New Features

    Reason Notes

    We continue our exploration of the new features and functions in Reason 6.

    Techniques Jan 2012

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