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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

Displaying 85 - 105 of 152 items
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    Telefunken ELA M260

    Small-diaphragm Valve Condenser Microphone

    Despite sharing a name with a historic Telefunken mic, this is a new design. But it still delivers classy, vintage-sounding results.

    Reviews Aug 2009
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    Audix CX212

    Multi-pattern Condenser Microphone

    Audixs acclaimed range of microphones is designed and built entirely at home in the USA — and its an approach that seems to be paying off...

    Reviews Jul 2009
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    Prodipe A1

    Small-diaphragm Condenser Microphone

    When youre on a budget, youll need one mic to perform a range of duties — and this one seems to punch above its weight.

    Reviews Jul 2009
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    Mercenary Audio KM69

    Small-diaphragm Condenser Microphone

    Unashamedly inspired by the Neumann KM84i, Mercenary Audio have tweaked their KM69 to suit their own tastes. Does it deliver the goods?

    Reviews May 2009
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    Audio-Technica AT2035 & 2050

    Condenser Microphones

    Industry stalwarts Audio-Technica introduce two new microphones that offer a similar character to their popular AT2020, but with better performance and additional features.

    Reviews Apr 2009
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    SE Electronics SE4400a

    Multi-pattern Condenser Microphone

    Small size and a choice of polar patterns make this mid-priced, large-diaphragm mic a very versatile performer.

    Reviews Apr 2009
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    sE Electronics SE4

    Small-diaphragm Condenser Microphone

    The SE3 was a popular mic, but it only came in cardioid flavour. The new SE4 gives you more options...

    Reviews Mar 2009
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    AKG Perception

    Condenser Microphones

    Can condenser mics at this price really be worthy of a name like AKG? Actually, it seems they can...

    Reviews Feb 2009
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    JZ Black Hole

    Large-diaphragm Condenser Microphone

    It's easy to see where the Black Hole gets its name, but this novel microphone isn't all about appearances...

    Reviews Dec 2008
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    M-Audio Pulsar II

    Small-diaphragm Condenser Microphone

    A decent mic collection should include small-diaphragm condensers for their transparent, uncoloured sound. Does the updated Pulsar deserve a place in yours?

    Reviews Nov 2008
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    Sennheiser MKH 8040

    Compact Modular RF Condenser Microphone

    Sennheiser have taken advantage of new technology to produce a smaller, lower-cost modular version of their modern classic MKH range of microphones.

    Reviews Oct 2008
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    Violet Black Knight

    Studio Condenser Microphone

    Making your mic stand out from the crowd these days is difficult — so Latvian company Violet have used their head...

    Reviews Aug 2008
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    Superlux Sonata ECOH6A

    Back-electret Condenser Microphone

    Can you really use a £25 mic for serious recording?

    Reviews May 2008
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    Telefunken USA AK47

    Multi-pattern Condenser Microphone

    Will this young gun fire the imagination like the Telefunkens of old?

    Reviews Apr 2008
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    ADK A6 & S7

    Condenser Microphones

    These versatile large-diaphragm mics offer great performance on a budget.

    Reviews Feb 2008
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    Earthworks TC20

    Omnidirectional Condenser Microphone

    This high-definition omni mic has been designed specifically to work in high-SPL environments, but it is surprisingly good on quieter sound sources too.

    Reviews Jan 2008
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    Rode M3

    Small-diaphragm Condenser Microphone

    This neat little mic is incredibly versatile — and it sounds a lot more expensive than it actually is.

    Reviews Nov 2007
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    Peluso 2247SE

    Valve Condenser Microphone

    Peluso set out to replicate the classic performance and style of Neumann's legendary U47. Could the result be even better than the real thing?

    Reviews Sep 2007
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    Rode NT55

    Small-diaphragm Condenser Microphone

    This flexible little mic gives much better results than its modest price suggests.

    Reviews Sep 2007
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    Brauner Phanthera

    Condenser Microphone

    Brauner's latest offering is a solid-state mic that claims to provide the same sonic character as their state-of-the-art valve designs, at a lower price. Is it too good to be true?

    Reviews Aug 2007
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    Beyer MC840

    Multi-pattern Condenser Microphone

    This new Beyer model doesn't sacrifice quality in its quest to be a truly versatile all-rounder.

    Reviews Jul 2007

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