Mixing / Production

Where does a young mix engineer learn the techniques to deliver hit rock mixes? In Dan Lancaster’s case, right here!

Working on Muse’s hit album Drones gave Tommaso Colliva and Rich Costey unique insight into the extraordinary methods of hitmaking producer ‘Mutt’ Lange.

We make a rare visit to a world-class recording studio, as one of The Church’s engineers takes us through a recent session.

This month, Years & Years, Labrinth, Galantis, Fetty Wap, Major Lazer & DJ Snake and Classic Mix, Alanis Morissette 'Ironic'.

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The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.

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Malenky Slovos from Italy: There are times when achieving a satisfying mix requires a lot of creative input — not to mention some extreme effects!

In the May 2015 Mix Rescue article, Mike Senior talks about how he bounced out a mix any number of times to compare it to his references. I understand the purpose of referencing, but what I don’t understand is why he bounced out the mix.

I’ve put a lot of effort into creating and editing a recording of a solo mandolin. Although I like the final result a lot, on reflection the tone seems too trebly and cold.

I’m an aspiring electronic musician, and am hoping to create some stuff with real shaking low-end impact, but the interaction between kick and bass still puzzles me.

Engineer Richard King has brought the art of ensemble recording to new heights in both classical and folk/pop spheres.

This month's selection includes: Philip George, OMI, Wiz Khalifa, James Bay, Sia and the Classix Mix - Shania Twain ‘You’re Still The One’.

We visit the world-famous Blackbird Studios in Nashville to meet Jacquire King, the Grammy-winning producer of James Bay’s Chaos And The Calm.

A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.

Spektakulatius: With last month’s mixes in the bag, our engineer was tasked with finding and working with a mastering engineer to put the finishing touches to both albums.

This month's selection include Ellie Goulding, Beck, The Book Thief soundtrack from John Williams, Jess Glynne and that all time classic mix, James Brown 'I Got You (I Feel Good)'.

Pete Keppler’s career has seen him mix shows for some of the biggest artists in the world. We asked him how it all happened.

I’ve been using the Haas delay effect to add some nice width to my guitar parts. It sounds great, but I’ve noticed that when I listen in mono my guitars pretty much disappear from the mix. Any advice?

The success of Slaves’ debut album depended on producer Jolyon Thomas finding a way to bottle their raw live energy.