Plug-ins

The latest version of Orange Clip introduces multiband processing along with a whole host of behind-the-scenes improvements. 

Cyberdrive Core contains the same 64 distortion models as its larger sibling, but with a simpler set of controls and a more straightforward signal path. 

Lime 3 includes preamp, saturation, EQ and channel strip plug-ins that are said to deliver a classic British console sound while offering improved flexibility and efficiency. 

UJAM have announced an expansion of their UFX Series that sees new delay and filter effects join their popular reverb plug-in.

With the launch of the NKS Hardware Partner Program, a number of industry-leading brands will soon be able to bring enhanced integration with NKS-capable software to their own hardware controllers.

The latest expansion pack for Infiltrator 2 caters to a whole host of musical genres including drum and bass, techno, house and trance. 

Set for release on 21 March 2025, Synthesizer V Studio 2 Pro boasts an improved algorithmic design and enhanced multi-threading support, improving rendering times by up to 300% and achieving more natural-sounding vocals.

Available as a free download, Sampleson's latest plug-in is an experimental project that allows users to generate random overdrive pedal emulations with a single click.

The latest TONEX expansion captures a collection of amps and pedals from the collection of renowned metal guitarist Gus G. 

The latest version of Dynamic Grading sports a redesigned interface, enhanced features and expanded capabilities that promise to redefine what’s possible in dynamic audio control.

Beta testing for the latest version of PolarDesigner is now open to all users, and those who participate and provide feedback will be entered into a competition to win an OC818. 

Promising to take spectral de-essing to the next level, the latest version of M-De-Esser boasts enhanced audio quality and precision along with some new intelligent features. 

PSP Wobbler faithfully recreates the Frequency Translator, a handmade experimental device built by Keith Adkins which created the unique modulation effect heard on ‘Time’ from Pink Floyd’s ‘The Dark Side of the Moon’.