Compressors

AudioScape’s take on the classic RCA valve compressor is much more than just a clone...

These audio examples accompany the review in SOS November 2025 of the AudioScape ASA-6A, a lovely hardware valve compressor based on the classic RCA BA-6A design.

Cranborne say their Brick Lane is the fastest compressor in the West — but it’s also capable of modelling the characteristics of classic opto, FET and valve units, and much more.

With ARA2 compatibility, this clever software slots right into your DAW workflow and promises to take much of the pain and time out of getting your vocals mix-ready.

It may come in the form of a stompbox, but there’s studio‑quality processing inside — and more than enough control for serious mixing.

EuroBuss is a Eurorack version of AudioScape's VCA Bus Compressor, modelled after the G‑Series bus compressor found in classic SSL consoles.

It might give off dbx vibes, but this plug‑in offers even more control than the hardware that inspired it.

In a world of retro homages, it’s always refreshing when a manufacturer looks to do something a little different...

This quirky 500‑series module is designed for colour and attitude rather than cleanliness.

These modules pair a vintage‑style EQ with a clever saturation feature — and the stereo MQ‑2 also brings controllable compression to the table.

This diminutive device promises instant polish when recording dialogue.

Through the ’50s and ’60s, Altec’s 436 compressors were often modified and hugely influential. But this keenly priced homage does more than clone these vintage devices.

We put this new plug-in to the test to see if it delivers on its promise of being an authentic emulation with useful digital trimmings.

There’s more to this fresh take on dynamics processing than a groovy GUI!

Not only does this portable box grant you access to the famous 88R console’s channel compressor anywhere you go, but it’s also blessed with several clever features.

Can just a small handful of controls give you the power to shape a range of sounds?

This clever dual‑channel, dual‑slope optical compressor is different from the rest...

Ted Fletcher breathes new life into this venerable old name.

This UREI‑inspired compressor includes some useful features for modern hybrid studios.

There are quite a few plug‑ins that emulate the famous Fairchild 660 and 670 compressors, but KIT Plugins have based theirs on specific units in John McBride’s Blackbird Studios in Nashville.

The CP‑1X is a multiband compressor designed to avoid the obvious pumping and tonal change effects of conventional compressors.