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Boss’s latest desktop looper might be small, but it’s no lightweight in terms of features.

Cubase’s Channel Settings Panel lets you see what’s going on under the hood of the Mix Console.

Just when you thought it was safe to consider your pedalboard finished, along come DOD with a new overdrive...

Everyone agrees that when you’re tracking drums, the room makes a difference — but with so many other variables in play, identifying its specific contribution can be tricky. Enter producer Tommaso Colliva, drummer Alex Reeves, and a unique experiment...

EHX have produced two versions of their Lester rotary-speaker pedal, one for keyboard players and the other specifically tailored to guitar.

Foote’s latest design could be that rare thing: a mastering-grade compressor for the masses.

Fostex’s new headphone range offers closed, open and ‘semi-open’ options. But what’s the difference, and which would suit you best?

We took HK Audio’s new mid-priced active speakers to an outdoor festival to see if they could cut the mustard.

The hottest Broadway show for decades has spawned a smash hit album. But, as engineers Derik Lee and Tim Lathan explain, Hamilton is not your average ‘original cast recording’.

When it comes to music software, there are now several payment models for acquiring it...

Singer, songwriter and producer Jack Garratt is only 24, yet his debut album Phase still draws on a decade’s experience in the music business.

The LEP LepLoop takes a decidedly unconventional approach to the groovebox format.

We round up some of the most useful Max For Live devices that can make your work with Live easier and, hopefully, more musical.

For those with respectable but not stellar microphone preamplifiers in either recorders, interfaces or mixers, high-gain...

Don’t let tempo changes cost you extra time in Logic Pro X.

Orchestral Tools go up to 11 with a large-scale symphonic library inspired by a sci-fi masterpiece.

Are cloud-based mastering services a threat to traditional mastering engineers, or just a cheap alternative for producers who can’t afford the real thing? It depends who you ask...

Plucked from the Dreadbox collection of modules, Omikron is a 22hp dual VCO, while the Lamda is a 20hp multi-mode filter.

Sometimes it’s better to revisit musical decisions than to persevere with a troublesome mix — even if that means recording new parts.