SOUND ON SOUND
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With their Unveiled series, Hifiman are taking the concept of open‑backed headphones to its logical conclusion!
Multi‑award‑winning English music producer and engineer David Tickle explains how he created the mysterious and ethereal sound that weaves in and out of U2’s ‘All I Want Is You’.
There is nothing ordinary about the success of Alex Warren’s breakthrough hit — or its signature sound, created by producer Adam Yaron.
Could this ‘smart’ plug‑in help you massage vocal and dialogue recordings into better shape?
Whether it’s detailed definition you want or dirty distortion, this new take on a classic valve preamp has you covered.
The invitation to meet Solid State Logic’s new Oracle console at Real World Studios arrived the day I finished Joe Boyd’s book And The Roots Of Rhythm Remain. That might not sound like much of a coincidence, but bear with me...
Mackie’s new dinky studio speakers are designed for both work and play!
Cymatics’ Dark Sky granular effects plug-in was inspired by Hologram’s impressive but rather costly Microcosm pedal.
The Electro‑Harmonix Pico 360+ Looper is a pico‑sized alternative to the company’s Nano Looper 360.
Heritage Audio are well‑known for their high‑quality preamps and analogue outboard gear, but the HA 240 Gold Foil Reverb is the first of their plug-ins we've reviewed.
DelayPro is an emulated analogue delay which incorporates an open feedback path, into which you can insert any of HOFA’s other SYSTEM plug‑ins...
The Itinera module is a Eurorack filter developed by Stefano Bersanetti at Euterpe Synthesizer Laboratories.
The Monumatic is Knobula’s third polyphonic sound generator. It picks up the form and much of the intention of their first outing, but includes expansions and more features.
The BTFLD is a 4‑bit analogue‑to‑digital converter, processing any signal at its input with binary logic and mangling it in all sorts of wild ways.
Not everyone can afford a 7.1.4 Neumann speaker setup, but perhaps RIME is the next best thing?
Polyend take it to the floor with a new pedal‑based drum machine.
Could the humble mouse be the only Pro Tools controller you need?
I’m looking to use Ethernet cable to connect a couple of balanced audio signals on XLR connectors over an extended distance.
In recent test recordings with different mics, I’ve noticed a greater output than expected from omni mics compared with cardioids.
What does Radial’s latest compact pair of boxes have to offer?