SOUND ON SOUND
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EastWest set themselves a technical challenge and a half with this solo operatic vocal instrument.
Lil Nas X's novel mash-up of trap and country provided an unexpected showcase for the talents of a leading vocal producer and mixer.
As the 'smart home' revolution takes off, will we ever see the 'smart studio'?
Ableton Live 10.1, the first incremental upgrade to Live 10, has something for everyone and multiple improvements for most users.
Logic's MIDI plug-ins are great, but getting access to the data they output can be tricky. Here's how it's done...
Louis Bell's unique perspective on songwriting and production has brought massive success with acts such as Post Malone, Jess Glynne and Selena Gomez.
ACID Pro is the original loop-based remixing program, and the Next version opens up new possibilities thanks to the intriguing Stem Maker.
Oh dear. Towards the end of my article on working with Ambisonic audio in Logic Pro X (SOS June 2019:...
At one time every studio had a 'grot box' speaker to reveal how their material would sound on TV sets and portable transistor...
The aim of most reverb plug-ins is to emulate something else, whether that be the sound of a real acoustic space, a vintage...
Audinate's Dante AoIP (audio over IP) format is fast becoming the de facto standard for large-scale multichannel...
The TC 2290-DT is part plug-in, part hardware: the bus-powered USB 2 device acts as both dongle and control surface...
Intellijel's Steppy is a four-track programmable gate sequencer that combines an impressive feature set with a tiny footprint.
Little Mikey is a classic preamp in a sturdy 8HP module, designed to get your instrument and live microphone signals into the modular as cleanly as possible.
Tiptop are back again with one of those unglamorous modules you're going to end up using in every patch, a 10HP utility...
The S88 MkII offers a high-quality weighted keyboard and even tighter computer integration.
One of the best-selling albums of all time was mixed on a long-forgotten experimental hi-fi speaker. Forty years later, are Philips' innovations finally catching on?
The iLok system is here to stay, but there are now more alternatives to a physical dongle.
I want to run two balanced microphone signals down one four-core screened cable, using five-pin XLRs at both ends, with short dual-XLR3-to-XLR5 splitter leads at each end. Are there any inherent disadvantages of doing this?