SOUND ON SOUND
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The latest offer from Focusrite's Plug-in Collective gives members access to a free copy of Lo-Fi Glow from Native Instruments.
Tascam have announced an upcoming firmware update for the Mixcast 4 that will introduce a range of useful new features.
Sample library and synth preset company SoundGhost have released their first effects plug-in.
AJH Synths have released two new Eurorack modules that feature some unique modulation capabilities.
Tape Percussion from Spitfire Audio focuses on Afro-diasporic percussive traditions.
GForce have once again collaborated with Oberheim, this time creating an emulation of the iconic Oberheim SEM synthesizer.
The latest overdrive pedal from Great Eastern FX Co. has been designed to compliment any amp and pickup combination.
PlugInfo from ThinkerSnacks offers a quick and easy way to check plug-in compatibility for Apple's latest processors, as well as providing some other useful features.
Dan Dean Essential Bass Collection from Tracktion provides six meticulously sampled instruments from the producer and composer's own collection.
Music for All are running a charity raffle to win a Roland JD-XA signed by Duran Duran co-founder Nick Rhodes.
Dangerous Music have announced that their new 2-Bus-XT summing mixer is available for pre-order.
Caveman Audio have released the AP1 Compact, delivering the sound of their AP1 Acoustic Preamp in a smaller footprint.
The latest FAST plug-in from Focusrite used artificial intelligence to EQ sources with a single click.
LivingRoom Upright Piano from KeyPleezer aims to provide an option somewhere between perfectly tuned and honky-tonk style sample libraries.
API have expanded their range of compact guitar pedals with a model designed specifically for bassists.
Korg have released the successor to their Pa4X Professional Arranger workstations. Available in three sizes, these new flagship models have been completely redesigned and feature a vast array of new features.
NovoLabz is a new project from the creators of NovoNotes, which will see the developer release a series of free plug-ins that use the same technology that's featured in their professional product range.
Like any true rock star, Bryan Adams is most at home in the studio!
Do the automation features in DAW software make old‑school console automation redundant? We canvass opinions from big‑name mix engineers.
Mix engineers used to prefer hardware to software because it sounded better. Is that still true? And if not, is there still a reason to use it?