SOUND ON SOUND
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Steinberg are on a mission with SpectraLayers. So, what’s new with Pro 8?
Automation helps you realise your creative vision by baking in those movements, changes and layering that you couldn’t manage to pull off in your performance. It also lets you resuscitate a dying mix and breathe new life into your tracks.
The producer behind an array of South African stars such as Nasty C, Sho Madjozi and Cassper Nyovest answers our quick-fire questions.
VSL’s new hall‑recorded brass collection aims for maximum grandeur.
Not everyone can play keys or guitar, so how about contolling virtual instruments with nothing but your voice?
Described by its creator as a “weirding module”, the Atreides doesn’t do things by halves!
Woott is described as a ‘dynamic hype enhancer’ , which suggests we are in for a bit of not‑so‑subtle compression...
3D‑printing has made it practical for designers to manufacture all manner of specialised microphone mounting brackets at relatively low cost.
When it comes to dynamics processing, we’ve never had it so good. Once upon a time, even the largest studios had only basic...
Giving yourself plenty of headroom when recording will help you get the most out of your plug‑ins and give you greater flexibility when mixing.
Find out how to create custom control mappings with EuCon when using Pro Tools.
Voxessor provides a user‑friendly toolkit for improving the sound of spoken voice. It’s intended to appeal to anyone doing podcasts or voiceovers.
Does your guitar sound dull and lacklustre through your pedalboard? Here’s how to side‑step the tone‑suck trap.
Isn't 'the future' meant to be all about user convenience?
This impressive setup combines point‑source technology, advanced loudspeaker management DSP and a powerful new bass extension system. Is this the state of the art in studio monitoring?
Polyend breathe new life into an old technology with an instrument that’s as forward‑looking as it is retro.
Bitwig continues to blur the boundaries between instrument and DAW, while offering some welcome practical enhancements.
Want the sound and tactile experience of hardware but the convenience of plug‑ins? Wes Audio have the answer...
Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.
René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.