SOUND ON SOUND
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Apogee's Duet 2 puts the company’s famed A-D/D-A conversion into a box that’s attractive in terms of both styling and price...
Our intrepid columnist gets down and dirty with iTunes Match, confirming that it may indeed change the way people consume music.
Arturia have broken away from their soft-synth roots with the MiniBrute, a 100 percent analogue monosynth. We put it to the test in our world-exclusive review.
Audio-Technica’s latest ‘pencil’ mic is designed to provide a high-frequency boost. Could this help lift sources out of a busy mix?
BAE's latest take on the classic Neve 1073 preamp design is presented in a sturdy, portable format. But does it deliver the familiar Neve sound?
Test plots to accompany the article.
Blue’s new Reactor is certainly eye-catching, but does it sound as good as it looks?
Hugh Robjohns scrutinises this phantom power supply from Canford Audio.
An 88-note hammer-action stage piano as affordable as this seems far too good to be true. Is there a catch?
West Coast samplists Cinesamples stay ethical with their major new orchestral brass library.
The story of Don McLean's 'American Pie' goes from cryptic beginnings to massive chart success, and an eventual position as a perennial US radio favourite.
If you’ve ever wanted to tighten the timing of multitrack drums in Cubase, look no further...
Paul White takes a look at this solid-state 5W guitar-amp head with enough gain to create blues or rock overdrive effects.
If BFA could make a TV ad for this sample collection, they would probably have it narrated by the late movie trailer maestro Don LaFontaine, saying something like, "In a world of laid-back percussion, Epic Drums II changed everything, forever!”
Since Event changed ownership in 2006, their popular 20/20 BAS monitor has been completely redesigned, and relaunched at a very attractive price.
Forest Kingdom is another tour de force from developer Eduardo Tarilonte, once again featuring a generous 7GB of sample content, memorable artwork and wonderful presentation.
Following the review of the HK Audio Elements in August 2011, Paul has been putting the PA system through its paces for the past 6 months in order to give an 'extended test' review.
Does this luxuriously specified audio PC justify its premium price tag?
It takes a lot these days to set a boutique mic preamp apart from the crowd. Does Ingram’s flagship design have what it takes?