SOUND ON SOUND
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We examine the Swedish soft-synth specialists’ first foray into the world of hardware: the Balance.
PSP’s latest equaliser seeks to combine analogue smoothness with digital precision.
Save time and protect yourself from RSI by learning to edit audio in Pro Tools from the QWERTY keyboard.
Soundhack’s powerful algorithms can provide high‑quality pitch‑shifting — or sonic mayhem!
Is there any difference between the quality of S/PDIF connections on low-end and high-end soundcards, or am I right in...
Can you explain a few things about creating MP3s? I'm currently converting WAVs to 24-bit, 44.1kHz and then converting them to...
I thought I had the whole M/S thing down until I listened to a commercial record and realised their stereo image was wider...
I've heard a lot about high-pass filtering tracks to reduce clutter at mixdown, but not as much about low-pass filtering in...
I'm looking to set up another computer alongside my main computer to slave all my CPU-draining VST instruments and effects. I'...
Record your own impulse responses with Reaper’s ReaVerb. • Read Part 1
We continue our exploration of the new features and functions in Reason 6.
SE Electronics have enlisted the help of renowned acoustician Andy Munro to design these striking studio monitors. Does their unique approach to speaker design pay off in the real world?
Steinberg’s Sequel is one of many simple but intuitive loop‑based music programs. What’s new in version 3 — the sequel to the sequel to Sequel?
Sony’s MDR range of closed‑back cans has been popular in studios for years, and now includes a new flagship model.
Is the customer really always right?
If you’re in the market for a portable recorder, there are plenty to choose from, with a variety of different features and at a wide range of prices...
Optimising vocal recordings and tackling some troublesome mixes are on the agenda this month, as the SOS team travel to Paul Shepherd’s studio in Nottingham.
As off‑putting as I found the name of this drum expansion library (I'm pretty sure that a sample library alone isn't...
The toy‑like exterior of Teenage Engineering’s OP1 belies the versatile synth, sequencer, sampler and recorder hidden within. We retreat to our bedroom and put it though its paces...