SOUND ON SOUND
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V Collection 11 is here, and yes, it’s bigger than before, better than before and better value than ever.
Add a touch of magic with Bastl’s mini modular effects box.
Cubase’s Play Probability and Velocity Variance tools can bring your MIDI patterns to life.
Dreadbox are aiming high with the ambitious Artemis.
In a world of retro homages, it’s always refreshing when a manufacturer looks to do something a little different...
Erica have teamed up with software developers 112dB to create a genuinely original synthesizer.
We check out a cleverly configurable re‑amper, and a switch box with a difference...
This quirky 500‑series module is designed for colour and attitude rather than cleanliness.
If your beats are static, your melodies predictable, or if you’re just plain out of ideas, perhaps it’s time to introduce some random elements?
With their Unveiled series, Hifiman are taking the concept of open‑backed headphones to its logical conclusion!
Multi‑award‑winning English music producer and engineer David Tickle explains how he created the mysterious and ethereal sound that weaves in and out of U2’s ‘All I Want Is You’.
There is nothing ordinary about the success of Alex Warren’s breakthrough hit — or its signature sound, created by producer Adam Yaron.
Not everyone can afford a 7.1.4 Neumann speaker setup, but perhaps RIME is the next best thing?
Polyend take it to the floor with a new pedal‑based drum machine.
Could the humble mouse be the only Pro Tools controller you need?
Reason Studios have reintroduced their classic beat‑slicing software — and it’s free!
Royer have powered up their most affordable ribbon mic with active electronics.
Not everyone wants their compressors to sound the same. But once you’ve set yours up how you like them, why change anything?
Sony take aim at one of the big guns of the shotgun world...
Our second instalment draws on the work of Alan Blumlein, to explain how we can audition and evaluate different stereo‑miking techniques.