
The Mix Review
This month we discuss tracks from Hilary Hahn, Drake, Adele and Rachel Platten. Plus, our Classic Mix: The Kinks 'You Really Got Me' (1964).
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This month we discuss tracks from Hilary Hahn, Drake, Adele and Rachel Platten. Plus, our Classic Mix: The Kinks 'You Really Got Me' (1964).

This month Draft Punk, Steep Canyon Rangers, Justin Timberlake and Classic Mix album - Chris De Burgh's Lady In Red.

This month's productions: Angel, Simple Plan featuring Sean Paul, Lawson and classic mix AC/DC's Back In Black from 1980.

We examine the production of some recent hits to help you brush up on your listening skills.

For the newcomer, mixing a multitrack recording can seem overwhelmingly complicated. The key is never to lose sight of the basic principles...

Avoid all the low-frequency pitfalls and learn to achieve the perfect foundation for any mix, with our bass-mixing masterclass...

Can Softube’s Flow Mixing Suite cover all your mix processing needs within a single plug‑in collection?


Mixing legend Mike Senior has just announced a new online course, which combines video tutorials, audio examples, DAW projects and online coaching sessions.

Audio Files to accompany the article

Hugh Robjohns reads up on mixing tips from Mike Senior.

• Lady Antebellum 'We Owned The Night' • Cher Lloyd 'With Ur Love' • Snow Patrol 'Called Out In The Dark'

• Alison Krauss & Union Station 'Paper Airplane' • Katy Perry 'Last Friday Night' • Alexandra Stan 'Mr Saxobeat'

Acoustic guitars are central to many live performances, but making them sound good through a PA isn’t as straightforward as you might imagine.

What's the best way to turn a dull thud into a tight, clicky thrash/black metal kick sound?

Music technology has opened up all sorts of exciting possibilities for mixing loops with live instruments on stage, if you know how to hook everything up.

Distortion can be a surprisingly useful mix effect, if you know what you're doing. Mike Senior reveals several common applications, and explains how to get the best results in practice.

Have you ever wondered how to separate a vocal or the instrumental backing from a stereo mix? We find out what’s possible — and what isn’t.

You might be surprised at just how much you can discover about the mix of a hit record if you use a structured approach to listening, learn to interpret your meters, and try a few technical tricks...