
Ingram Engineering EQ52
Its combination of ‘See‑Saw’ band and filters make this classy EQ really versatile.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.

Its combination of ‘See‑Saw’ band and filters make this classy EQ really versatile.

Asked to pick a favourite sound from his huge discography, Matt Squire nominates the track ‘On My Teeth’ from Underøath’s 2018 album, Erase Me.

Adding a horn section to your productions can bring everything from mellow melancholy to verve and excitement.

EastWest give the classic string machine sound a modern twist.

For Spike Edney, touring with one of the biggest bands in the world has meant keeping up with the very latest in stage keyboard technology.

Logic’s Mixer Modes help you navigate even the most complex projects.

New York‑based producer Randall Dunn answers the SOS quickfire questions.

Ever thought you were nearing the end of your mix, only to realise the track needs a whole lot more impact?

What would a modern, immersive studio look like if you had the opportunity to re‑invent it from the ground up? The answer, at least as far as the recently revamped Studio 4 at RAK is concerned, is very different to most people’s idea of what a professional studio looks like.

Pulsar train their modelling sights on Manley’s mighty Massive Passive.

RAK Studios engineer Isabel Gracefield undergoes our questioning.

Anyone fancy a versatile controller keyboard with the tip of the Arturia software iceberg included free?

Setting boundaries to protect our health is hard, but it will help us live longer and do better work.

With hit albums for Dave, Wizkid and now Stormzy, Brazilian‑American mixer Leandro Hidalgo is at the top of his game.

Malena Zavala pauses her cross‑cultural synth‑guitar pop career to answer SOS's nine core production questions...

When you’ve learned your craft from Manny Marroquin, you can mix on almost any system — as Jeremie Inhaber proved with Meghan Trainor’s ‘Made You Look’.


The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

Mylar Melodies has in recent years ascended to become one of the Internet’s premier educators in all things modular.

Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.