SOUND ON SOUND
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Drawmer have released the 1972, a flexible dual-channel microphone, line and instrument preamp intended for both studio and live applications.
IK Multimedia's latest monitor series consists of three models, each equipped with DSP processing and offering built-in acoustic calibration.
Version 1.30 of Tascam's Portacapture X8 firmware extends the device's 32-bit float functionality and adds a Mix Minus feature alongside some new memory capabilities.
The DNS 4 from CEDAR Audio is a portable four-channel dialogue noise suppressor offering near-zero latecy performance and both analogue and digital connectivity.
Yamaha's MODX+ series expands upon the original MODX synthesizers and includes features found on their flagship Montage instruments.
RO-GOLD from Black Rooster Audio is a free software emulation of a vintage plate reverb upgraded with a 24k gold plate.
The capacitor microphone is an incredible feat of precision engineering. We go behind the scenes in Vienna to find out what makes it possible.
Soul II Soul’s ‘Back To Life’ was a hit record with a sound all of its own.
The latest iteration of VariAudio includes all the tools you need to get vocals in shape for mixing.
Colin Cartmell’s decades‑long tonequest has led him to create some of the best guitar cabinet IRs out there — so we asked him for advice on how to roll your own.
Four‑time Grammy Award‑winning producer, engineer and mixer Chris Shaw has worked with some of the biggest and most...
The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.
Are manufacturers becoming more willing to pursue original design concepts?
Logic’s Mixer Modes help you navigate even the most complex projects.
Spanning over 300 pages this book condenses an entire career of experience and knowledge into a really practical guide, focusing on exactly what a newcomer to the industry needs to know and do.
Here we have the book versions published in 1998 and 2003, reissued to meet a demand that has never evaporated...
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
Aimo Scampa designs modules under the moniker of Manifold Research Centre, with an approach that’s as off‑the‑wall as it is fascinatingly clever...
Getting the most from aux sends requires you to understand how they work!
I noticed in your review of the Lewitt LCT 1040 microphone that it has a switchable 120Hz 6dB/octave high‑pass filter, for countering the proximity effect. If my mic doesn’t have this feature, can I just set up the same thing in my DAW channel EQ?