SOUND ON SOUND
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Live’s Session view abandons the timeline and allows you to simply trigger individual looping or one‑shot clips of any length.
Eventide’s Spring is a meticulous emulation of the kind of spring reverb you might find in a guitar combo, but with an extended parameter range for more creative uses.
GIK Acoustics' portable vocal screen is sensibly-priced and reduces room coloration, but without adding any obvious boxiness from the screen itself.
The EQ2 offers quality graphic and parametric EQ, with full MIDI capabilities, all delivered in a robust pedal. What's not to like?
Much more than a crossfade tool, Transmutator offers multiple blending modes that allow you to combine or transition between two signals in creative ways.
Given its excellent price tag, this Eurorack mixer has more features than it has any right to, and it doesn’t skimp on the sound quality.
This stereo analogue filter allows different filter modes for the left and right channels, and then messes with the dimensions of space by applying mid‑side processing afterwards.
Mojave’s most affordable mic yields great results on a wide range of sources.
I recently started capturing my vinyl collection to DSD and hi‑res PCM. The result sounds great but when I examine the audio file in iZotope RX 8 Elements I see a band of ultrasonic noise. Should I be worried about this?
For anyone who supplies or works in live sound, or the wider events industry, it’s been a disaster...
Finally, Logic Pro X catches up with, and in many ways improves upon, the step sequencers in other DAWs.
Though there’s only one main user control, VocalMint's audio path comprises a serial chain of three different types of compressor, and multiple behind‑the‑scenes parameters have been optimised specifically for vocal processing.
Can you offer any guidance on what’s essentially an A‑B stereo array, but with the mics angled slightly outwards?
Could you recommend a platform that allows me to share musical ideas with my friends, so we can eventually form songs/compositions?
Rating: ***** 5/5 Stars. This library features a rich close‑miked viola with the same depth of colour, wealth of articulations, and seamless ornamental transitions found in previous Emotional releases.
Rating: ***** 4.5/5 Stars. Oceania II is not an upgrade, but a newly recorded library with additional features. Its remit is exactly the same: full‑on Mens’ and Womens’ choir performances.
Rating: **** 4/5 Stars. Guitar Swell won’t replace your guitar player, but will help you produce a wide range of evocative sounds that might inspire you to take your compositions in a new direction.
Rating: **** 4/5 Stars. This cool virtual instrument will appeal to those looking for something a little different to spice up their virtual percussion arsenal.
SoundMorph’s Dust takes an interplanetary approach to granular resynthesis.
Analog Delay has been a stock Studio One plug‑in since the beginning, pumping out cool vintage echoes with its previously vanilla GUI, but with v5 it received a bit of an interface upgrade.