
Emily Lazar
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.
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With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.
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Despite the challenges of producing the album remotely, Dave Fridmann’s work on the latest Mogwai album saw the band top the charts for the very first time.
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Next time you’re buying studio hardware, try searching the manufacturer’s website using terms like ‘sustainability’. You might be surprised at the results.
Can Leapwing’s latest plug‑in really sprinkle some Al Schmitt magic on your recordings?
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This powerful amp brings high‑tech Dirac room optimisation DSP to your favourite passive monitors.
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We try to improve a gypsy jazz mix, and discover that even the best references need to be taken with a pinch of salt.
OS Acoustics have followed up their impressive DB7 with an even more capable twin‑woofer design. We put the new DBS8 to the test.
Some of Studio One’s hidden gems are now available to users of other DAWs.
We explore ways to get the most out of the Avid S1 controller.
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I’m trying to figure out the best acoustic setup for a small ready‑made vocal booth, with a floor area measuring 4 x 5 feet...
I’m trying to improve the sound of my speech recordings which can be a bit ‘echoey’. I’ve been using a Rode NTG4 shotgun mic...