SOUND ON SOUND
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In this six-part series, produced in association with Steinberg, well-known mastering engineer Ian Shepherd takes us through his approach to mastering.
Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.
Pro Tools | Carbon might be the biggest news from the world of music technology this year. But how does Avid's "hybrid audio interface" work?
Perhaps best known for his television work, Matt Berry’s true love has always been music and the analogue instruments he uses to make it.
Darude’s 1999 dance hit has taken on an extensive and often surprising life of its own.
When rapper Machine Gun Kelly enlisted the help of producer and Blink‑182 drummer Travis Barker on his latest album, a shift to pop‑punk seemed inevitable. Who better to mix it than punk/hip‑hop crossover engineer Adam Hawkins...
Even in today’s computer‑based studios, a patchbay can change your life. We help you choose the right one.
Spitfire’s latest project marks a new partnership with an iconic London studio.
In our new monthly feature, we track down the new producers who are making waves and find out what makes them tick.
There’s an element of art in the design of passive speakers that’s somehow diluted, lost even, once you put the crossover upstream of multiple power amplifiers...
The revised Klasik from Polish company APS offers exceptional performance at a remarkably low price.
Arturia add some helpful extras to their plug-in models of three classic analogue modulation effects.
Are Audient’s minimalist EVOs smarter than the average audio interface?
AA’s latest cans employ their successful high‑excursion driver in a new on‑ear design.
Avantone’s take on the classic NS‑10 is now available in powered form. We fire them up...
This characterful compressor offers a little more control than most ‘vibe machines’.
Last month we ‘faked’ some string‑arrangements. Now it’s time to add a human touch.
One of the most significant features introduced in DP 10 was the Clips window, and in the 10.1 release, MOTU made it even more powerful.
Heavyocity’s commando percussion team return to the sound stage tooled up and looking for something to break.
Once again, iZotope have raised the benchmark for affordable audio restoration.