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Barcelona‑based developers Endorphin.es have finally ironed out the folds when it comes to their contender for a system‑driving controller and sequencer. Has it been worth the wait?

Once the preserve of academic and experimental music, granular synthesis is more accessible than ever and has a lot to offer in all sorts of genres.

EastWest go off world with a whole planet of screen‑friendly synth sounds.

Much more than just a bigger MicroFreak, Arturia’s MiniFreak is a six‑voice polysynth with a character like nothing else.

The Majella Implexus is a beautifully made synth with a foot on both coasts.

Ever had trouble getting a plain DI’d bass guitar to sound right in a mix? Me too, sometimes! But it’s almost always fixable once you understand the issues.

Modo Bass 2 builds on the success of the original, adding more and better basses.

Can a pedal really replicate the classic studio sound of a tweed‑era Champ?

Do the automation features in DAW software make old‑school console automation redundant? We canvass opinions from big‑name mix engineers.