SOUND ON SOUND
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Rating: **** 4/5 Stars. Zero G’s Elements is a Wavetable Hybrid Synth aimed at those working on creating contemporary soundtracks and sound design...
Here the audio files that accompany the SOS October 2021 Cubase workshop.
Heavyocity take a creative wrecking ball to the orchestra.
Working on tape with the Red Hot Chili Peppers forced Ryan Hewitt to revisit old‑school mixing skills — and find ways to adapt modern techniques to the analogue domain.
We show you how to take full control of your stereo image with Cubase’s powerful bundled plug‑in suite.
Vince Gilligan and Peter Gould’s unique vision of Albuquerque required a unique approach to the score...
We put the desert island questions to this Tel Aviv-based dynamic, hip‑hop‑infused pop duo.
Composers Michelle Birsky and Kevin Henthorn speak to us from their studio space in Los Angeles...
Lunacy Audio take a different approach to in‑the‑box sound design.
We explore some ways in which creative mixing can add life to a sample‑based production.
Cubase gains new features and dispenses with the dongle.
Ambitious sampled instrument provides a one-stop shop for complete orchestral string composing.
A streamlined version of Modal’s Cobalt8, is the Cobalt5S even better than its sibling?
Theremins have been part of Moog’s story since day one, and their latest is the culmination of all that experience.
Here are the audio files that accompany February 2019's Mix Rescue article.
Cubase's stock MIDI plug‑in collection includes some unsung heroes...
Beyerdynamic’s new studio mics are as classy as they are versatile.
Sonicware promise no menu‑diving in their creative take on FM synthesis.
