
Steinberg SpectraLayers Pro 8
Steinberg are on a mission with SpectraLayers. So, what’s new with Pro 8?
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Steinberg are on a mission with SpectraLayers. So, what’s new with Pro 8?
Toontrack has released their most unique EZkeys piano to date featuring a Rhodes Mark 7 electric piano and a...
An EQ that gives you separate control over the transient and sustain portions could be more useful than you think!
Audio examples to accompany our May 2021 review of the Warm Audio WA-87 R2 capacitor mic.
You’ve probably heard of MPE, but what exactly is it and what can it do for you?
Rating: *** 3.5/5 Stars. Suit73 employs the company's Spectral Modelling technique to analyse the original Rhodes Suitcase sound and recreate the same timbral components by stacking sine waves together.
Derived from the custom valve console in Brittany’s famous Kerwax studio, the Replica harks back to a bygone age.
Not long ago, I learned a sobering lesson about pet hates and how they can trip you up. I initially dismissed the 1010music...
Lauten Audio have generously donated their unique Eden LT‑386 three-in-one valve microphone to the lucky winner of this SOS competition (prize worth €2,669$3,299).
Major update to MOTU's DAW adds MPE support, Apple Silicon compatibility, and Nanosampler 2.0.
Rating: ***** 5/5 Stars. Noire is the result of composer and pianist Nils Frahm's quest to recreate his signature piano sound as a virtual instrument.
This keenly priced device offers a bit more control than most valve compressors.
We show you how to work with irregular tempos and rhythms in Live.
Cubase 11’s new SuperVision plug‑in makes it easier for Pro and Artist users to trust their ears.
Imagine uses physical modelling to let you create any acoustic instrument you can, er, imagine.
Can Leapwing’s latest plug‑in really sprinkle some Al Schmitt magic on your recordings?
Yamaha look to reclaim their stage keyboard crown with two world-class live instruments.
In need of melodic inspiration? Cubase 11's Scale Assistant can help.
We all know that close miking boosts the low end. But why? New research from DPA Microphones explains that some instruments are more affected by proximity effect than others.