SOUND ON SOUND
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This month: Grace • Lewisham & Greenwich NHS Trust Choir • Jamie Lawson • Elvis Presley & The Royal Philharmonic Orchestra • Classic Mix: The Prodigy ‘Breathe’ (1997)
Virtual Guitarist was a landmark product in 2002 and now it’s back, reborn in a new ferric guise.
Guitar amps don't come much more portable than this updated model from Roland. But how does it sound?
Take some of the work out of your workflow, with Cubase 8 Pro’s Plug-in Manager.
‘The Sound of Abbey Road Studios’ is the latest instalment in a series of public events taking place in April and May, hosted by Brian Kehew and Kevin Ryan, authors of Recording the Beatles, and featuring special guest former Abbey Road Studios Engineer Ken Scott.
This month tracks from Jason Derulo, Martin Garrix, Eminem and our Classic Mix: The Beatles' Yesterday from 1965.
This month, Years & Years, Labrinth, Galantis, Fetty Wap, Major Lazer & DJ Snake and Classic Mix, Alanis Morissette 'Ironic'.
Reason is becoming a much more rounded DAW, and one of the main areas to benefit is mastering.
I have a nylon‑strung Ibanez guitar, which I think I paid $200 for. The electronics in the guitar are not cutting the mustard...
Warm Audio's latest preamp offers surprisingly high quality in an affordable package.
Though the headline features are aimed at dance producers, Apple’s latest Logic update has something for everyone. And it’s free!
Is Bitwig Studio's fresh take on clip-based music production different enough to tempt users away from established rivals?
We introduce some of the best free plug-ins for Pro Tools 11.
This month we analyse hits from Storm Queen, The Reflektors and Lorde plus our classic mix 'Roxanne' by the The Police.
Take a guided tour of Reason’s automation armoury.
The second in our four-part series deconstructs funk licks, discusses the implications of using live players and explains how to get more expression and feel into your sampled brass arrangements.
The latest version of iZotope’s RX adds some interesting features — but do they have musical applications?
As the nails are being hammered firmly into the coffin of competitive loudness processing, we consider the implications for those who make, mix and master music.
Ajimal: Guy Massey shares tips and tricks as he records the winners of Focusrite's Dream Recording competition at AIR Studio.
With new amps, effects and a stripped-back GUI, is Overloud’s modelling software ready to play a headline slot?