Synthesizers

Make Noise blur the boundaries between the East and West Coast schools of synthesis with this unique semi-modular.

The Studio Electronics Tonestar 2600 is a complete analogue synthesizer voice in just 32hp. It consists of a single VCO, a sub oscillator and noise generator processed by a four-pole low-pass filter based on that of the legendary ARP 2600.

TwinCussion comprises a pair of analogue percussion voices (A & B), both slightly different and capable of independent operation or cross-patched interaction...

Twisted Electrons offer a new take on the classic acid machine.

The LEP LepLoop takes a decidedly unconventional approach to the groovebox format.

Plucked from the Dreadbox collection of modules, Omikron is a 22hp dual VCO, while the Lamda is a 20hp multi-mode filter.

The OB6 is the product of a collaboration between two of the most respected names in synthesizer design, and it doesn’t disappoint...

Drips is a complete analogue drum voice that can be tweaked to produce kicks, snares, hi-hats and so on as well as Kraftwerk-style zaps and thwaps.

This compact module will serve as four linear VCAs or as a four-input mixer — for audio or control signals.

Rebel Technology’s Phoreo [Rendering its name in Greek will break the SOS publishing software — Ed] is a clock,...

Soon, for the first time in 35 years, you will be a able to walk into a shop and buy a brand-new Minimoog. But will it be as good as the original? Find out in our exclusive review.

Peter Zinovieff has been described as Britain’s Bob Moog. A renowned composer from the mid ‘60s to the present day, he was also one of the founders of EMS who produced seminal synthesizers such as the VCS3 and the Synthi AKS, as used by Brian Eno, Pink Floyd and the Chemical Brothers.