Top producer RedOne has had hits with dozens of artists, but relies on one man to “finish” tracks like Nicki Minaj’s ‘Starships’: engineer Trevor Muzzy.
Legendary sound engineer Keith Grant oversaw a golden age of music recording. Before his death earlier this year, he shared with Sound On Sound his memories of the studio he managed for a quarter of a century.
With the tape always running in their Cologne studio, Can built up a huge archive of unreleased material. Much of it was brilliant, but all of it was chaotic...
'Somebody That I Used To Know' is a worldwide hit that breaks every rule in the book. Artist Gotye and mix engineer François Tétaz reveal how they made it.
Technically speaking, working with a single-track recording may not be 'mixing', but a surprising amount of useful mixing‑style finessing can still be performed.
Analogue tape is enduringly popular as an audio recording medium, but do enough people know how to use it properly any more? Bob Clearmountain’s experience suggests otherwise...
Paul Weller's latest album was brimming over with musical creativity. The challenge for mixer Jan Kybert was to forge a coherent album from a mass of ideas.