Mixing / Production

This month, Adele, The Script, Labrinth and for the classic mix we feature Christina Aguilera's, Genie in a bottle.

Not only did the Les Misérables crew have to capture live singing on a film set: they then had to figure out how to overdub orchestral arrangements to it!

Putting in the effort at the front end of the production process can save countless hours when it comes to mixdown — as this month’s remix demonstrates.

Audio files to accompany the Cristina Vane article.

Many bands record their own albums these days, but few achieve as much with as little gear as Stornoway.

This month's productions: Angel, Simple Plan featuring Sean Paul, Lawson and classic mix AC/DC's Back In Black from 1980.

DI boxes are essential pieces of stage equipment, but to get the most out of them, it helps to know what they do — and how they do it...

When RCA abandoned ribbon mics, Wes Dooley of AEA believed they still had a place in the modern studio — so he set about making his own.

When Charlie Andrew began working with Alt-J, both were unknown. The resulting album would change everything...

In his quest for authenticity, director Tom Hooper drove his Les Misérables technical crew to completely reinvent film soundtrack recording.

Our tame engineer shows that you can craft a great mix even using compression in moderation, and that a little editing up front can make the job of mixing a whole lot easier.

I'm producing my own music, but I want it to sound as professional as possible. I'm sure that there must be certain tools that...

We examine the production of some recent hits from PSY, Mumford & Sons, Devlin and go back to 1996 classic track 'Killing Me Softy' by The Fugees.

Audio Files to accompany this month's article.

Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.

Would you hire a mixer who doesn’t believe in panning? The Lumineers did — and were rewarded with a hit album.

Whether you’re a performer or an engineer, these simple feedback-reducing tips should ensure your gigs remain free from squeaks and howl-rounds!

As he gets to grips with another reader’s track, our mix engineer shows that distortion can often be as useful as EQ in sculpting sound sources.

Audio files to accompany the article.

When I listen to MP3s on a PC or Apple Mac, they are all at different levels, with the louder ones seeming twice as loud as the quietest ones.

We visit the home studio of TV composer Kate Ockenden and discover that optimising monitoring needn’t require acres of acoustic foam.