SOUND ON SOUND
Glitch techniques are common currency in pop production, and Reason can glitch with the best of them...
Find out what the Pro Tools 11 world will hold for your hardware setup.
Recreate Ableton Live’s Beat Repeat with Logic.
What can we expect from Ableton Live’s new version 9?
The film of Led Zeppelin’s reunion concert was five years in the making — yet Alan Moulder had only three weeks to mix the entire soundtrack!
Learn how to march to a different beat in Cubase, by locking a tempo-varying performance to a fixed beat — and vice-versa.
To say that producer Chris Hughes was closely involved with Recording Adam & The Ants’ biggest records would be a bit of an understatement — he got so involved he joined the band...
Better use of your Mac’s Spotlight feature could save you hours of arduous searching...
Want to fake a 12-string guitar in Studio One, or create the perfect octave-divider effect? Keep reading…
Discover Sonar X2’s Quick Groups and Auto-Zoom updates — and become more efficient.
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This month, we record a jazz big band on location, tracing the project from the planning stages through to delivering edited multitracks to the mix engineer.
Samplitude Pro X has several powerful tools for compiling the perfect performance from multiple takes.
Reason is becoming a much more rounded DAW, and one of the main areas to benefit is mastering.
Reaper’s pitch tools can be creative — or corrective.
You can back up a Pro Tools session like any other file, but will it still be readable in 10 years’ time? Here’s how to make sure.
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