Article section list

Discover the advanced features of Mission Control and get your desktop in order.

Audio files to accompany the article.

Audio Files to accompany this month's article.

We revisit the world of MIDI networking, inviting multiple devices, and even PCs, to the party.

Audio Files to accompany the article.

Take a walk on the wide side with these Studio One stereo guitar techniques.

Sonar X2 replaces Track Layers with Take Lanes, which come with far more flexibility...

With a band citing a particularly broad range of influences, our engineer came up with a plan for capturing a bit of them all. Find out how he fared...

Explore the secret paths to modulation on the dusty reverse of Reason’s cheery fascia...

Now you can get your music to the outside world without ever leaving Pro Tools!

With lack of driver support for so much perfectly usable hardware, can anything be done to counter built-in obsolescence?

Our tame engineer shows that you can craft a great mix even using compression in moderation, and that a little editing up front can make the job of mixing a whole lot easier.

Logic’s Ultrabeat is more than just a drum machine — so get creative with it and ‘glitch up’ your dance tracks!

Try some guitar-amp modelling with Live, a couple of plug-ins and a bit of know-how.

In his quest for authenticity, director Tom Hooper drove his Les Misérables technical crew to completely reinvent film soundtrack recording.

When you make recordings designed to show off your hi-fi systems, they had better be good! It’s no accident that Philip Hobbs of Linn is one of the UK’s leading classical engineers and producers.

Cubase 7’s Mix Console is far more capable than its predecessors, but can be daunting to newcomers. We show you how to configure it to your needs.

Forty years after its original release, Mike Oldfield tells us the story of recording his hugely successful debut album, Tubular Bells.

Video tutorials to accompany the article.

We visit the home studio of TV composer Kate Ockenden and discover that optimising monitoring needn’t require acres of acoustic foam.