SOUND ON SOUND
This month, our engineer remixes a Pink Floyd-inspired track, and in the process shows that there’s still a place for old-school rock production techniques!
Get to grips with Logic’s handling of external MIDI synths.
We show you how to disassemble tracks for creative reworking in Live.
Underpinning the biggest spectacle of 2012 London Olympic Games was probably the largest multitrack recording ever made. Just how do you mix a thousand-track project?
If you want to overdub programmed parts to a performance that varies in tempo, Cubase has all the tools you need.
In 1956, Frank Sinatra revived his flagging career with an album that would define the swing sound and go on to become one of the most highly regarded in history. John Palladino, now in his 92nd year, was at the controls...
Pioneering work in assistive technology is transforming the lives of people who are unable to play conventional musical instruments.
This month we take a stroll throught the Mac audio editor market and pick up a few bargains along the way.
With a little cunning and resourcefulness, you can improve the sound of nearly any studio — even when it’s on the other side of the world!
Sometimes Studio One expresses itself differently to other DAWs, but don’t let that put you off...
Fix vocal pitch in Sonar without nasty correction artifacts.
When you’re recording away from the studio and under time constraints, you need to get the big decisions right — and not become bogged down in detail.
Audio files to accompany the article.
It’s a Reason reverberation extravaganza this month, as we look at the tools available and how to use them.
Pro Tools’ template system, and its undocumented Track Presets feature, can help your sessions get moving faster.
Now that Windows 8 supports touchscreen operation, manufacturers are getting inventive with their hardware formats...
Learn how to import and combine Environment layers to create new MIDI facilities for your projects.
We see why there’s much more to Live’s Frequency Shifter effect than meets the eye...
Steve Greenwell knew he wanted a live feel for Joss Stone’s second album of soul covers, but finding the right mix was more of a challenge.
The abandoned Soviet mining village of Pyramiden provided Efterklang with a unique recording venue — and the constant threat of being eaten by polar bears.