SOUND ON SOUND
A list of all articles that hold associated media files for January 2018 audio and video examples. You'll find links in...
We delve into the mysteries of granular synthesis with Max For Live’s Granulator II instrument.
We lift the lid on Studio One’s multifarious methods of exporting, bouncing and merging material.
We get to grips with Grain, Reason 10’s versatile new granular synth.
Get the most out of Groove Clips in Sonar.
Top FOH engineers tell us which stage vocal mics they recommend — and why!
Reaper’s Track Templates facility allows you to store and recall far more than a list of insert plug-ins!
In this three-part series, we follow the painstaking production of a metal album, all the way from rehearsals to release.
Cubase’s MixConsole has all sorts of handy features to help you establish an efficient mix workflow.
Create, recall and control complex effects chains and routings with Logic’s Smart Controls and Track Stacks.
Symphonic percussion joins forces with ethnic drums in the modern Hybrid Orchestra.
We explain the pitfalls to avoid when transferring projects from other DAWs for mixing in Pro Tools.
Keeping up with the Nashville music world means working fast — and few mix engineers work as fast as Billy Decker!
Scoring a huge ad campaign in four days is no mean feat, especially when you have to record live musicians.
A list of all articles that hold associated media files for December 2017 audio and video examples.
We show you how you can treat Live as one big modular synth.
Cubase’s audio transpose features open up some interesting creative possibilities.
By turning your hotel room into a project studio, you can deliver broadcast-quality VO tracks when you travel.
Not only is Atlanta’s rap scene producing stars like Lil Uzi Vert, but it’s also providing opportunities for a new wave of engineering talent.
We explore Reason’s new flagship synth: Europa.