SOUND ON SOUND
We serve up some fresh ideas for vocal processing using Track Stacks in Logic Pro X.
Cut to the chase with Reason templates.
Performed live and filmed in a single take, Justin Timberlake’s ‘Say Something’ is one of the most ambitious music videos ever made.
Mixing an album can be more challenging than working on songs individually — but it can also be the most satisfying achievement for an engineer.
Can Cubase’s Groove Agent SE4 take care of all your virtual drummer needs?
Our engineer figures out the best way to capture a dozen songs in a single afternoon.
We explore Live 10’s new MIDI Capture and Multi-Clip editing features.
Database software might not be as exciting as the latest virtual instrument or DAW — but it can be even more effective in helping you get work finished.
Some of the most important features of a hardware console are found in its master section. Here’s how to add them to the Pro Tools mixer.
We explore DP’s tools for applying pitch-correction, harmony generation, pitch-quantising and pitch effects to vocal tracks.
We show you the many ways you can chop up and manipulate loops in Sonar.
Meet the crew behind London's Soup Studio
A list of all articles that hold associated media files for March 2018 audio and video examples. You'll find links...
His quest to capture the spirit of Avebury led former Radiophonic Workshop composer Steve Marshall to develop some unique experimental recording techniques.
We investigate Propellerheads’ new subscription service for Reason Rack Extensions.
Small rooms are often the trickiest to get right, as our visit to a TV and film composer’s new home studio proved!
We continue our exploration of the mastering possibilities in Pro Tools.
With Studio One’s advanced features, latency need not be a problem.
With arbitrary tempo restrictions to contend with and Olympic glory riding on every cut, adapting music for ice dance represents a unique editing challenge.
Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.