SOUND ON SOUND
If you like to explore different versions of a song (or just have difficulty making your mind up!) Cubase’s Track Versions have a lot to offer.
Make mono guitars monstrously wide with Logic Pro X’s Dual Mono features and Track Stacks.
With arbitrary tempo restrictions to contend with and Olympic glory riding on every cut, adapting music for ice dance represents a unique editing challenge.
Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.
The cruise-ship industry is booming, and with it a number of career opportunities — for those who can meet the unique challenges of mixing live sound at sea.
We show you some of Sonar’s lesser-known functionality beginning with the DSP menu...
A list of all articles that hold associated media files for February 2018 audio and video examples. You'll find links in...
Get your Studio One ducking techniques in a row as we explore different ways to improve vocal intelligibility.
We take a closer look at the automation features in Logic Pro X.
This month, Studio SOS takes on a unique challenge: modifying a motorhome for use as a mobile recording studio!
We show you how to transfer your projects from Sonar to a new DAW.
Pro Tools isn’t just for recording and mixing. It’s also pretty handy for mastering work.
Grammy-winning producer Ian Brennan discusses his approach to working with unique artists in outdoor locations around the world.
Manage effects and processors more efficiently in Cubase’s MixConsole.
Propellerhead’s uber-modulator Synchronous is now included for free with Reason 10.
When a track contains nothing but beats and vocals, the vocal mix has to be perfect. Mix engineer Evan LaRay explains his role in taking Cardi B’s ‘Bodak Yellow’ to number one.
We continue our trek through the production of Damnation’s Hammer’s latest album: did all that pre-production effort pay dividends in the studio?
We explain how to use Digital Performer’s comping tools to assemble a killer vocal take.
We examine three different ways to harness the power of granular synthesis in Live.
A glorious suite of extras bolsters the core orchestral sound.