I want to run two balanced microphone signals down one four-core screened cable, using five-pin XLRs at both ends, with short dual-XLR3-to-XLR5 splitter leads at each end. Are there any inherent disadvantages of doing this?
I’m looking to get some kit PAT tested and am getting some quotes, but everyone wants to know how many items are to be tested? If I have a power amp with an IEC mains lead, would that count as two tests or one?
I recently acquired a Focusrite Control 2802 analogue mixer/DAW controller. There are numerous connections on the back, including three female DB25 interfaces...
Most of my connectors and cables were bought second-hand, but some are blemished and I wonder if you could give a little advice as to what would be the best way to clean the connectors?
I have a Nord Electro 4HP keyboard, which I’d like to run seamlessly through guitar pedals in real time and in stereo. The signal distorts quite badly at higher keyboard and pedal volumes. Can you suggest a device that would remedy this?
I’ve read that pro gear should use balanced connections, but I’ve been looking for a mixer recently and find that most have unbalanced insert points. My interface uses balanced I/O, as does most of my outboard gear. What gives?
The line inputs on my computer interface are all balanced on TRS sockets, but the outputs of my hardware synths are all unbalanced on mono TS sockets...
With so much focus on computer workstations these days, wiring up analogue gear is becoming a bit of a lost art, but don't fear: all you need to know is here.
Bass Guitar Recording DI Box & Instrument Cable Extender
Two very handy 'accessories' come under scrutiny: PJB's Bass Buddy, a Bass Guitar Recording DI Box, and from Little Labs their STD Instrument Cable Extender.